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Ramesh Sippy
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Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
100 Essential Indian Films, by Rohit K. Dasgupta and Sangeeta Datta
100 Years of Indian Cinema
IFFLA Celebrates the Richness of Indian Film by PARIMAL M
Dilip-Kumar-The-Substance-And-The
Bollywood: Thirty Years of Indian Cinema
The Transition Saga of Masculinity in Hindi Films: Then & Now
1St Filmfare Awards 1953
Recycle Industry: the Visual Economy of Remakes in Contemporary Bombay Film Culture by Ramna Walia “Audiences Now Want New Stories
EROS INTERNATIONAL COLLECTION of INDIAN CINEMA on DVD Last Update: 2008-05-21 Collection 26
SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I the Birth of Cinema Lumie
Press Kit and High Rez Images
FICCI – Multiplex Association of India
Ramesh Sippy Entertainment
The Performance of Friendship in Contemporary India
Ramesh Sippy, Ramesh Prasad & Rajdutt to Be Honoured with 'PIFF
Top View
1 Highlights to Watch out for at NFDC FILM BAZAAR 2016 ~Imtiaz Ali To
Latest Current Affairs
Sindhi's in Film Industry
List of All Films Completed After 1St January, 2018 to 30.09.2019
100 Essential Indian Films, by Rohit K. Dasgupta And
Ramesh Sippy Academy of Cinema and Entertainment
Sessions by Shoojit Sircar, Anurag Basu, Sudhir Mishraon Day One of Film Bazaar
UNIVERSIDAD DE MURCIA Departamento De Filología Inglesa
Chapter 3 Postmodernism and Contemporary Indian Cinema…………………………59
Pickel Jan06-12.Qxd (Page 1)
3Rd I San Francisco Int'l South Asian Film Festival November 10-12
Ramesh Sippy (1947- )
Film Bazaar Ends in a Burst of Activity with a Host of Insightful Sessions, Workshops, Meetings and Screenings
Voice Entertainment
Mr. Sampath Appointed As New CEC Senior-Most Election Commissioner
Film Journalism UNIT
Information to Users
Patil 1 Nimisha Patil AP English Lit. Senior Thesis
Curry Westerns Within Post-Colonial Narratives by Madhuja Mukherjee
Everyday III” in Seoul, South Korea, Yesterday
Weave of Friendship
Crossovers and Makeovers: Contested Authenticity in New Indian Cinema Ranjit Keval Kumar University of Wollongong