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Pure tone
Cell Phones Silent Clickers on Remember - Learning Team – You Can Email/Skype/Facetime/Zoom in Virtual Office Hours
The Physics of Sound 1
Musical Acoustics Timbre / Tone Quality I
Interpretations of Frequency Domain Analyses of Neural Entrainment: Periodicity, Fundamental Frequency, and Harmonics
Beethoven's Fifth 'Sine'-Phony: the Science of Harmony and Discord
The Sounds of Music: Science of Musical Scales∗ 1
Tone Quality Timbre
Continuous and Discrete Signals
A Multi-Dimensional Analytical Model for Musical Harmony Perception
Correlation Between the Frequencies of Harmonic Partials Generated from Selected Fundamentals and Pitches of Supplied Tones
The Sounds of Music : Science of Musical Scales
Pitch Perception
Spatial Pattern Vision and Linear Systems Theory Receptive Field
Musical Acoustics Pitch & Frequency
1 Fundamentals of Acoustics
Psychoacoustic Approaches for Harmonic Music Mixing †
Linear Systems Theory Fourier Analysis Linear Systems Analysis
Psychoacoustic Evaluation of Musical Sounds
Top View
Chapter 11: Sound, the Auditory System, and Pitch Perception Overview of Questions
Pure Tones and the Sine Wave
The Acoustics of Obstruents
Chapter 11 Audio
Sound • Vibration of Air Molecules
Individual Differences in Pitch Perception
The Perceptual Correlate of Frequency: the Perceptual Dimension Along Which Sounds Can Be Ordered from Low to High
Waves and Sounds Introduction
Pitch Perception Beyond the Traditional Existence Region of Pitch
Pitch Perception
Super-Optimal Perceptual Integration Suggests a Place-Based Representation of Pitch at High Frequencies Bonnie K