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Pure Film Movement
Japanese Film and Television Aaron Gerow
Western Literature in Japanese Film (1910-1938) Alex Pinar
Kunigami Diss Final2
Japanese Art Cinema: an Sample Study
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
Modern Girls and New Women in Japanese Cinema
Anime: the Cultural Signification of the Otaku Anime
The University of Chicago Sound Images, Acoustic
A Tanizaki Feast
Animation Fandom in North America and East Asia from 1906–2010 By
Contesting the Myths of Samurai Baseball
Anime: a Critical Introduction, by Rayna Denison
Adapting Anime: Transnational Media Between Japan and the United States
OAG NOTIZEN November 2003
Female Stars Are Born Gender, Lighting Technology, and Japanese Cinema by Daisuke Miyao, Associate Professor, East Asian Languages and Literatures
Kaiki Eiga and the Dawn of Japanese Horror Cinema
“Realism” in Late 1930S Japanese Films and Shiro Fukai's
Top View
Kinugasa Teinosuke's Films and Japanese Modernism
ERIA Discussion Paper No
POST-CINEMA Post-Cinema the Key Debates
English-Language Works by JAAS Members 2002
Collective Creation in Contemporary Manga and Anime A
A Page of Madness
A Comparative Analysis of a Japanese Film and Its American Remake
Time Zones and Jetlag: the Flows and Phases of World Cinema
Bbm:978-1-4039-8440-1/1.Pdf
Book Review: Aaron Gerow, Visions of Japanese
Bernardicv 9.12.17 .Pdf
The Anime Machine This Page Intentionally Left Blank the Anime Machine
Animating Transcultural Communities Revision 1