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Pompeian Styles
Introduction
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
Discussion and Conclusions
371 (Taf. CXXVIII–CXXX, Abb. 1–10) Abstract I Palazzi Di Erode Nella
Hues of Art: Pigment Analysis of Unprovenanced Wall Painting Fragment from Pompeii
Roman Art: Pompeii and Herculaneum
Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting
Life and Death in the Shadow of Vesuvius
ARCHITECTURE and ORDER Approaches to Social Space
Pompeii 1A the Physical Environment - Geographical Setting, Natural Features and Resources Text Chapter 1 "The Physical Environment of Campania" Pp.2-8
Las Pinturas Murales De La Villa De Popea Sabina En Oplontis
Ancient History
RAG Vol 13 Issue 1
Pigments and Painting Techniques of Roman Artists
Triumphabant Aeternae Domus: Motifs of Arms in Roman Domestic
Imitation Alabaster: Varieties and Symbolism in Roman Paintings Pittura Funeraria Etrusca Simon J
POMPEIAN PERISTYLE GARDENS As a Means of Socioeconomic Representation
Pompeii As an Art City
Top View
Zebrapatterns in Campanian Wall Painting: a Matter of Function
'Eye-Like Radiance': the Depiction of Gemstones in Roman Wall Painting
This Papers Offers Some Reflections on Wall Painting Studies Concerning What We Call the First to Fourth Style in Italy
Spatial Dimensions in Roman Wall Painting and the Interplay of Enclosing and Enclosed Space: a New Perspective on Second Style
Guide to the Oplontis Excavation
From Mycenae to Constantinople: the Evolution of the Ancient City I
The Art of Greece and Rome
Museums of Rome
Investigating Identity
Mixed-Media Domestic Ensembles in Roman Sicily: the House of Leda at Soluntum
What Do We Know of Roman Wall Painting Technique? Potential Confounding Factors in Ancient Paint Media Analysis Jorge Cuní*
Garden Paintings of Pompeii
Bli Republic
Alabaster. Quarrying and Trade in the Roman World: Evidence from Pompeii and Herculaneum