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- Theological Plunderphonics: Public Theology and "The Fragment"
- (Un)Popular Music and Technoculture Two 70 Minute Class Sessions Per Week Prof
- Copying Machine Music Can Be Downloaded in Its Entirety at (Slight Return)
- Applying Sound Art Research in Modern Electronic Music Production Glitch, Loop, Plunderphonics and Sound Collage As Tools of Production
- Fair Use As a Compositional Tool in the United States
- Digital Culture Between Distribution and Remix
- Convergence of Popular and Classical Music in the Works of the Piano Guys
- Jackie Mittoo at Home and Abroad: the Cultural and Musical Negotiations of a Jamaican Canadian
- The Age of Musical Reproduction and John Oswald's Plunderphonics
- The Hero of Copyright Reform: Exploring Non-Cochlear Impacts of Girl Talk’S Plunderphonics C
- Sampling and the 'Sound Object'
- Remix Culture Location | Time | Fall 2017 Instructor: Dr
- Remixology: a Remix(Ed) Rhetoric for the 21St Century
- Analysis of Sampling Techniques by J Dilla in Donuts
- UC San Diego UC San Diego Electronic Theses and Dissertations
- Singing History, Performing Race an Analysis of Three Canadian Operas: Beatrice Chancy, Elsewhereless, and Louis Riel
- Editorial – Borrowing, Quotation, Sampling and Plundering
- Jamming with Plunderphonics: Interactive Concatenative Synthesis of Music Jean-Julien Aucouturier Francois Pachet
- Plunderphonics, Or Audio Piracy As a Compositional Prerogative As Presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in 1985
- The Hauntology of Music
- P L U N D E R P H O N I
- Ethno Plunderphonics: on Some Mockingbird Transcriptions
- Art and Politics of Appropriation
- Art and the Uncanny: Experts in the Field
- TWO RELATIONSHIPS to a CULTURAL PUBLIC DOMAIN by Negativland1
- Peter Szendy. 2008. Listen: a History of Our Ears
- MAS.965 :: Nature of Constructionist Learning Aisling Kelliher 05.21.2002 Video As an Object-To-Think-With
- "Plunderphonics, Or Audio Piracy As a Compositional Prerogative" - As Presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in 1985
- “The Future Is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture
- MTO 19.3: Boone, Mashing: Toward a Typology of Recycled Music
- Leonardo Reviews