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- Art History Research Paper WILLIAM BLAKE's USE of WATER AS A
- The Chapel of the Madonna Della Strada: a Case Study of Post-Tridentine Painting in Rome
- The Book of Urizen O® London, Ca
- Blake's Pity: an Interpretation
- Signing Large Color Prints: the Significance of Blake's Signatures
- Blake & Shakespeare
- The Republic by Chris Sylvester
- The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987
- The First Book of Urizen
- Martin Butlin, the Paintings and Drawings of William Blake
- Corporeality and the Supernatural on the Gothic Stage, 1786 - 1836
- Its Meaning in the Life of William Blake
- The Urizen Group
- The Metropolitan Museum of Art Oral History Project Interview with Edith A. Standen, January 6-13,1994
- Frodo and His Spectre: Blakean Resonances in Tolkien
- Lucrezia Borgia and Ideals of Respectable Femininity
- Studies in the Image of the Madonna Lactans in Late Medieval and Renaissance Italy
- But He Talked of the Temple of Man's Body
- The Shifting Characterization of Tharmas and Enion in Pages 3-7 of Blake's Vala Or the Four Zoas
- Authenticity, Restoration, Forgery
- Sympathetic Bondage and Perverse Pity
- Edward Young's Night Thoughts
- The Holy New Martyrs and Confessors of Central Russia
- Night Dreams: the Four Zoas
- Critical and Iconographic Reinterpretations of Three Early Gothic Novels
- Blake's Insistence of Understanding the Hidden Urizenic Archetype
- Building Golgonooza Compelling His Spectre to Labours Mighty; Trembling in Fear the Spectre Weeps, but Los Unmovd by Tears Or Threats Remains
- "The Book of Urizen" Print Transcription
- The Four Zoas
- Judith Butler
- December 12, 1996
- Gothic Conventions in Ingemann, Andersen, Blixen and Høeg
- The Book of Ahania: a Metatext
- Issue of the Newsletter
- Gothic Journeys: Imperialist Discourse, the Gothic Novel, and the European Other
- “Weeping” in William Blake's Poetry
- Urizen's Quaking Word
- The Four Zoas
- A Jungian Analysis of the Four Zoas by William Blake
- Department of History Newsletter Photo: the Metropolitan Museum of Art Vol