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Phonograph
The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
The Lab Notebook
THE DYNAMIC RANGE POTENTIAL of the PHONOGRAPH by Ronald M
Chapter 186 NOISE
Minding Our Words: Audio Responsibilities in Endangered Languages Documentation and Archiving
Press Release
Trenton 9-7-1967 As § 3- 2 of the Revised General Ordinances
A Secret History of Phonography
Digital Audio Antiquing
Bill Klinger; Association for Recorded Sound Collections
Notre Dame College Noise Policy
Digital Audio Tape Technology: a Formidable Challenge to the American Copyright System Taro J
Magnetic Tape and Multitracking
What Works for Us Clark & Sandy Godfrey June, 2003
Unnecessary Noise Standard
Influence of the Phonograph on Music, Culture, and History
The Phonographic Industry and the Recorded Music Market: a Long Misunderstanding
Digital Audio Basics
Top View
Personal Cockpits and Sound Capsules the Advent Of
Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Transferring Analog Discs and Tapes
Model:Srcd822 Phonograph with Am/Fm Radio, Cassette&Cd Player Important Safety Instructions for Audio Products-Read Carefully All the Following Important Safeguards
SOCIAL DISTANCE and LONELINESS AS THEY RELATE to HEADPHONES USED with PORTABLE AUDIO TECHNOLOGY by Robert Morrison Crane a Thes
Language Documentation and Description
Duplex Phonograph Company
June 21, 1932. R. A. FESSENDEN 1863,841 METHOD and APPARATUS for COORDINATING RADIO and PHONOGRAPH REPRODUCTION Original Filled May 2, 1924 Fg-1- to TELEPHONE LINE
Mus 205 Musical Circuits: Popular Music and Technology
'I'm Flying' Headsets Cutting the Cord Fancy
Some Hints and Pecularities of the Phonograph
Wireway Model No. WP
This American Copyright Life 201 THIS AMERICAN COPYRIGHT LIFE: REFLECTIONS on RE-EQUILIBRATING COPYRIGHT for the INTERNET AGE
General Music Creating Through Responding Unit High School Proficient Level Technology’S Impact on Music
Capturing-Sound-How-Technology-Has-Changed-Music.Pdf
The Cathedral and the Bizarre: an Examination of the "Viral" Aspects of the GPL, 27 J
Metadata for Phonograph Records: Facilitating New Forms of Use and Access
Introduction
ARSC Guide to Audio Preservation
Chapter 137 NOISE
Edison Revisited by Scott Cannon
An Origin of the Phonograph Or “Sound-Writing”
The Contact Microphone: a Cultural Object Daniela Fantechi
Creating a Culture of In-Home Use for The
A Machine to Hear for Them: on the Very Possibility of Sound’S Reproduction
Preserving Vintage and Historic WNYC Broadcasts Inside This Issue
Key Dates in Sound and Music Technology
Early Use of the Scott-Koenig Phonautograph for Documenting Performance George Brock-Nannestada and Jean-Marc Fontaineb
Turntable/Cassette /CD Player/Radio/USB/SD Audio
Audio History
Best Open Back Headphones Transcription
Record Player and Cd Player
Generic Conventions of Early Phonograph Recording
Noise Control Regulations Section 1050:00. Unlawful to Make Loud Or Unnecessary Noises
Audio in Music Libraries by Carl Rahkonen January 2009
1968 Phonograph Catalog
Environmental Sound Composition, the Phonograph and Intentionality
RS Timeline011713revised(2)
MODEL PNGTT1 Operating Instructions Manual : Classic Horn
7°70 01010101010
Vinyl Theory
Satellite 5200 Series
1 Record Progressions: Technology and Its Role In
Amiably Frcm ****0:444**#*##*####**4
Und Audiovisuellen Archive As
Ord. No. 2020-11
THE FIRST PHONOGRAPH for Just $7.50 (Sears & Roebuck Was Sell- Ing an Iron Bed for About That Much)
9 – Sound Recording & Reproduction
Phonautograms--Édouard-Léon Scott De Martinville (C
Z27, 2 Patented Feb
Digital Audio Tape Technology: a Formidable Challenge to the American Copyright System Taro J
Personal Audio Catalogue
Ordinance 70 Loud Noise