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Philipp Spitta

  • BACH IS BACK in BERLIN: the Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics

    BACH IS BACK in BERLIN: the Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics

  • Suffering and Social Conscience in the Passion Genre from JS Bach's

    Suffering and Social Conscience in the Passion Genre from JS Bach's

  • Arnold Schering on “Who Sang the Soprano and Alto Parts in Bach's

    Arnold Schering on “Who Sang the Soprano and Alto Parts in Bach's

  • Rethinking J.S. Bach's Musical Offering

    Rethinking J.S. Bach's Musical Offering

  • The Influence of the Unaccompanied Bach Suites

    The Influence of the Unaccompanied Bach Suites

  • Baroque and Classical Style in Selected Organ Works of The

    Baroque and Classical Style in Selected Organ Works of The

  • A Polonaise Duet for a Professor, a King and a Merchant: on Cantatas BWV 205, 205A, 216 and 216A by Johann Sebastian Bach 1

    A Polonaise Duet for a Professor, a King and a Merchant: on Cantatas BWV 205, 205A, 216 and 216A by Johann Sebastian Bach 1

  • J. S. Bach's Keyboard Fingering

    J. S. Bach's Keyboard Fingering

  • On the Circumstantial Context of J. S. Bach's Canon Super

    On the Circumstantial Context of J. S. Bach's Canon Super

  • Choral Conducting in Baroque Germany

    Choral Conducting in Baroque Germany

  • From Philipp Spitta's Johann Sebastian Bach, Breitkopf & Härtel, Leipzig, 1873 Translated from the German by Clara Bell A

    From Philipp Spitta's Johann Sebastian Bach, Breitkopf & Härtel, Leipzig, 1873 Translated from the German by Clara Bell A

  • Tifh CHORALE CANTATAS

    Tifh CHORALE CANTATAS

  • Musicology in German Universities 17Riedrich 11Lume

    Musicology in German Universities 17Riedrich 11Lume

  • J. S. Bach's English and French Suites with an Emphasis on the Courante

    J. S. Bach's English and French Suites with an Emphasis on the Courante

  • FRIEDRICH SMEND's EDITION of the B-MINOR MASS by J. S. BACH Author(S): Georg Von Dadelsen, James A

    FRIEDRICH SMEND's EDITION of the B-MINOR MASS by J. S. BACH Author(S): Georg Von Dadelsen, James A

  • A Bach Manuscript Recovered: Berlin, Bibliothek Der Hochschule Der Künste, Spitta Ms

    A Bach Manuscript Recovered: Berlin, Bibliothek Der Hochschule Der Künste, Spitta Ms

  • Bach's Motets for Double Chorus

    Bach's Motets for Double Chorus

  • Introduction

    Introduction

Top View
  • Johann Sebastian Bach's Easter Oratorio BWV
  • Musical Rhetoric and Other Symbols of Communication in Bach's Organ Music Jacobus Kloppers
  • On Linking Bach's 'F-Major Sinfonia' and His 'Hunt Cantata'
  • Bach's Oratorios
  • Johann Sebastian Bach by Johann Nikolaus Forkel and Charles Sanford Terry
  • Eighteenth-Century Coffee-House Culture: a New Context for Bach's
  • Magazin Magazine
  • Bach Notes No. 5
  • Clavierübung III of J. S. Bach Theology in Notes and Numbers1
  • Fantasia and Fantasy: Some Notes on Two Homonymic Genres of German Chorale-Based Organ Music
  • The Manuscript Transmission of Js
  • American Choral Review
  • Johann Sebastian Bach's Mass in B Minor: the Greatest Artwork of All Times and All People MARKUS RATHEY
  • Information About Bach's Motets with a Specific Examination of BWV 226
  • Quaerendo Invenietis in J.S. Bach's Musical Offering BWV 1079
  • An Introduction to Bach Studies
  • Philipp Spitta Author(S): Jeffrey Pulver Source: the Musical Times, Vol
  • Bachi Matteuse Passiooni Esmaesitustest Tallinnas Ja Peterburis 19


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