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Passaggio
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs,
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Composing for Classical Voice Voice Types/Fach System
THE MESSA DI VOCE and ITS EFFECTIVENESS AS a TRAINING EXERCISE for the YOUNG SINGER D. M. A. DOCUMENT Presented in Partial Fulfi
A Systematic Approach to Voice the Art of Studio Application
La «Tragédie En Musique» Come Parodia Della Tragedia Classica - Il 'Thésée' Di Ph
The Castrato. the Englishcounter Tenor. and the Teachings Of
Updated-Yodel
Registration Strategies of Professional Operatic Mezzo-Sopranos D.M.A
How Vocal Classification Affects Young Singers
An Exploration of the Vocal
A Singer's Guide to Performing Two Baroque Cantatas: Barbara
Blending the Registers
The Development of a Fach System for the Tenor Oratorio Repertoire
How Vocal Classification Affects Young Singers
Vocal Ornamentation in Italy
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Adolphe Nourrit, Gilbert-Louis Duprez, and Transformations of Tenor Technique in the Early Nineteenth Century: Historical and Physiological Considerations
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The Cambridge Companion to Seventeenth-Century Opera Edited by Jacqueline Waeber Frontmatter More Information
Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss
The Controversy Concerning the Timbre of the Countertenor
A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
1 the Singing Horn Player
Using Exercise Physiology and Motor Learning Principles in the Teaching Studio and the Practice Room
Glottal Behavior in the High Soprano Range and the Transition to The
“Female Voices in Male Bodies”: Castrati, Onnagata, and the Performance of Gender Through Ambiguous Bodies and Vocal Acts
Head Voice to Young Men Prepared for Virginia Wesleyan College Dr
Gender, Sexuality, and the Falsettist in Musical Comedy of Western Civilization
Ornamentation of Italian Vocal Music of the Eighteenth Century According to Pietro Francesco Tosi and Giovanni Battista Mancini Beverly Ann Brandon
Bach's Tenor, Modern Ideology and Historical
The Development and Implementation of Coloratura Technique
INFORMATION to USERS the Most Advanced Technology Has Been
The Prevention of Vocal Hyperfunction in Singers
The Interplay Between Glottis and Vocal Tract During the Male Passaggio
Voice Classification and Fach: Recent, Historical and Conflicting Systems of Voice Categorization
An Italianate Approach for a Modernized Baryton-Martin Fach Aaron D
A License for Registration by Claudia Friedlander, Dmus
The Role of the First Formant in Training the Male Singing Voice
Contrabass Bass Baritone Tenor Countertenors Contralto Alto
Passaggio Peak Coefficient As an Indicator of Singer Advancement
Perspectives Damien Colas
Adolphe Nourrit, Gilbert Duprez, and the High C
Primo Passaggio Transition Gestures in Trained Female Singers Emily Craven
Highs and Lows of the Baritenor Voice: Exploring
Vocal Ornaments in Durante's "Arie Devote" (1608) Donald Clyde Sanders
From Baritone to Tenor: Making the Switch
Technique for the Developing Dramatic Soprano
Obligato / Obligé: a Musical Etymology
Vocal Registers of the Countertenor Voice: Based on Signals Recorded and Analyzed in Vocevista Raymond Chenez
GRIFFITHS Castrato Lutenists PICS
Female Voice Classification and the Choral Director
Voice Department – DMA Study Sheet and Sample Sources Structure 1
PVA Study Guide Chapter 2
Biddy Bee & Onsets
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Female Chest Voice