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- Streaming Italian Horror Cinema in the United Kingdom: Lovefilm Instant1
- Nobody Likes Movies Like Teenagers from Outer Space Or Wrestling Women Vs
- Grindhouse Nostalgia Memory, Home Video and Exploitation Film Fandom
- Paracinema, Orientalism and the "Fannish Enthusiasm" of the Academy - And- Censorship, Classification and Economic Control: Systems of Regulating Film in Canada
- Grinding out the Grindhouse
- World Horror Cinema and the US: Bringing It All Back Home
- Towards an Understanding of Australian Genre Cinema and Entertainment : Beyond the Limitations of ‘Ozploitation’
- Retrograde Technicity and the Cinematic Avant-Garde: Towards a New Dispositif of Production Gabriele Jutz
- Curriculum Vitae
- Cult Cinema Is a CULT Wildly Popular Film Culture That Blurs Genres, Crosses Boundaries, and Defies Easy Categorization
- The Implementation and Emulation of Cult Movie Marketing
- Evaluating Troma Entertainment As Paracinema
- Cult Films and Film Cults: from the Evil Dead to Titanic
- The Cinema of Stasis Justin Remeselnik Wayne State University
- Space for Vhs: Agfa and the Preservation of Genre Film Access Copies
- Dr. Jonathan Walley Associate Professor and Chair Department of Cinema Denison University Granville, Ohio 43023 [email protected]
- Ritgerð Til Extreme Horror and the Extremely Horrifying
- Intertextuality, Cybersubculture, and the Creation of an Alternative Public
- Paracinema, High and Low Brow Movies & the Cult Film
- AVANT-GARDE and EXPERIMENTAL CINEMA: from film to Digital
- Paracinema and the Badfilm – a Cinematic Paradox. a Three-Step Approach to Defining Films Considered “So Bad, They’Re Good”
- Post-Horror Chapter 1
- A Film Bacchanal: Playfulness and Audience Sovereignty in San Sebastian Horror and Fantasy Film Festival
- Notes Towards Paracinema and Interruption*