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Otto Gutfreund
Marta Filipová, National Treasure Or a Redundant Relic: the Roles of The
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1 OTTO GUTFREUND • Livre Du Professeur I – Un Peintre Fasciné Par Paris Ces Documents Sont Tirés De La Revue Artistiques
The Construction of National Identity in the Historiography of Czech Art
Otto Gutfreund – Kubistická Plastika
Cubist Soldier and Soldier, C. 1914 Pen and India Ink on Paper, 136 X 216 Mm with the Atelier Stamp Numbered 477 on the Reverse
Klimt, Kupka, Picasso, and Others – Form Art
Function Versus Form in Czech Cubism: Architecture and Furniture Design
Twentieth-Century Reception and Representation of Czech Modernist Art Within the UK and Anglo- American Writings
When Paris Met Bohemia: Discovering the Czech Nation Through Its Art, 1900-1938
5 M I S S I N G T H E P O I N T , N O T P L a Y I N G W I T H a F U L L D E
Structure, Network, Discourse Anatomy of an Artists Association
CZECH CONTEMPORARY ART GUIDE Eva Kmentová – Hands II, 1968 Supported by the Ministry of Culture of the Czech Republic
Pablo Picasso, Hlava, 1909
Cubist Still Life and Female Figure, C. 1914 Pencil on Paper 277 X 227 Mm with the Atelier Stamp Numbered 20 on the Reverse
Modernism, Seen from Prague, March 1937 Derek Sayer Lancaster University,
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VY 32 INOVACE 21 11 Pořadí Dumu V Sadě 11 Vedoucí Skupiny/Sady Mgr
Avant-Garde Anachronisms: Prague’S Group of Fine Artists and Viennese Art Theory
Top View
Sample Syllabus
Chapter 4 a Reader in East Central European
National Gallery Prague Annual Report 2019