DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Oswald de Andrade
Oswald de Andrade
Oswald De Andrade's "Cannibalist Manifesto" Author(S): Leslie Bary Source: Latin American Literary Review, Vol
Oswald De Andrade Obras Completas-10
Media Inter Media
Re-Reading Alencar's Iracema Through Saer's Lens
2. Cazuza E Barão Vermelho Com O Mesmo Nome De Batismo
OS DELÍRIOS DE PAGU1* Simone Accorsi**
Parque Industrial: Influxos Feministas No Romance Proletário De Patrícia Galvão
Oswald De Andrade's Decolonial Project
Oswald De Andrade's "Cannibalist Manifesto" 37
Tarsila Do Amaral's Abaporu
From São Paulo to Paris and Back Again Tarsila Do Amaral Camila Maroja
Renato Russo; Cazuza; Poética Da Travessia; Autobiografia
Anthropophagy and Sadness: Cloning Citrus in São Paulo in the Plantationocene Era
Antropofagia: an Early Arrière- Garde Manifestation in 1920S Brazil1 Kalinca Costa Söderlund School of Philosophy and Art History, University of Essex
MAM Opens 2017 with an Anita Malfatti Show
São Paulo's Department of Culture, 1922-1938 Micah J
Ethnic Composition of the Brazilian People: Plurality of Culture and Nature
Imagens De Pagu: Trajetória Midiática E Construção De Um Mito
Top View
Tristan Tzara and Mário De Andrade's Journeys from Ethnography to The
ARNALDO ANTUNES, CAZUZA E O ROCK NO BRASIL Augusto De Guimaraens Cavalcanti
Release Antropophagia (English)
'Cannibalize the Colonizer': Manifesto Antropófago's Brazilian Utopia And
Mulheres E História: Estudo Biográfico De Patrícia Galvão (1929-1962)
Distintos Cosmopolitismos: Mario De Andrade E Oswald De Andrade
Hybridity in Brazilian Modernist Anita Malfatti Michelle Turner
Literature of the Sao Paulo Week of Modern Art LITERATURE of the SÁO PAULO WEEK of MODERN ART
Portraits of Brazil
A Correspondência De Oswald a Mário De Andrade Gênese Andrade
Oswald De Andrade's Os Condenados and the Decay of the Amazonian Aura
A Crítica De Arte No Entorno De Anita Malfatti E Seu Reflexo Na História Da Arte Brasileira
The Brazilian Roaring Twenties
Cultural Anthropophagy in Brazilian Receptions of the Classics1
Do Brado Ao Canto Oswald De Andrade, Anos 1930 E 1940