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- Auto Theft and Autonomous Individualism in American Film Todd Uhlman and John Heitmann History Department University of Dayton
- NEW HOLLYWOOD Hollywood in Decline
- The Films of Nicholas Ray
- The Films of Nicholas Ray: the Poet of Nightfall
- “Rebel Without a Cause” Around Him in 1954, He Thought He Was Make a Black-And-White Juvenile Delinquent -Themed B Movie
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- Because He Is Different the Ambiguous Hermeneutics Of
- Rebel Without a Cause Revision Guide
- Feature Films 2009 I'm Not Your Friend
- Jean-Luc Godard's Breathless: the Revelation of Filmmaking As Cinephilia
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- How Hollywood Made a Home in Film Melodrama Elana Katz Union College - Schenectady, NY
- University of Florida Thesis Or Dissertation Formatting Template
- Chapter 10 | Cinemascope: the Modern Miracle You See Without Glasses
- Ray, Nicholas (1911-1979) by Richard G
- 10 Anniversary Jane Fonda Lumière Festival October 13-21 -Lyon, France Biyouna, Alfonsocuarón,Clairedenis Peter Bogdanovich,Javierbardem, Liv Ullmann,Claudelelouch
- Gradation of Emphasis in the Cinemascope Westerns of Anthony Mann : a Style Analysis
- Lobby Cards Gift of Professor Rennard Strickland
- Introduction Rebel Without a Cause, Fifty Years Later
- Nicholas Ray
- The Early Elvis Presley Movie: Star As Genre
- The Museum of Modern Art 11 West 53 Street, New York, N.Y
- Reimagining Noir in Nicholas Ray's They Live by Night
- 1 Anima Animus: Jennifer Jason Leigh's Bisexual Method in Last Exit to Brooklyn Ian Murphy, University College Cork in Its
- Ciné-Tracts a Journal of Film and Cultural Studies
- 1 Introduction: Martin Scorsese, Authorship, Context
- NICHOLAS RAY: a BIOGRAPHICAL OUTLINE Bernard Eisenschitz
- Films of the 1950S: Two Perspectives on Post-War America
- Six Lesser-Known Films Referenced in Paul Schrader's 'NOTES on FILM