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Quantifying Music Trends and Facts Using Editorial Metadata from the Discogs Database
Dive Covenant Ah Cama-Sotz Revolting Cocks
Table of Contents
BEAUTIFUL NOISE Directions in Electronic Music
DJ-MATIC Genres - Algemene Indeling Van De Tracks
Data Specifications and Collection
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Hip Hop Studies Bibliography
Phat Beats, Dope Rhymes Hip Hop Down Under Comin' Upper
Belgian Beat Brigade!
The Booth, the Floor and the Wall Dance Music and the Fear of Falling
Fellix Regular (Selected Glyphs) Displaay: Fellix
Sample-Based Hip-Hop Music and Fair Use Laws in the Age of Streaming Services
D7.4 – Data Management Plan V2
Journalistic Approach to Industrial Dance Genre S. Price
Its Not Often Your Given a Chance to Have a Personal One to One With
Taiwanese Hip Hop Music Under the Transnational Cultural Flow in East Asia
Porter Robinson, Virtual Self, and The
Top View
Analysis of the Process of Recreation of the Self
Egyptian Hip Hop and the January 25 Revolution Thesis Presented In
Computing the Semantic Relatedness of Music Genres Using Semantic Web Data Dennis Diefenbach, Pierre-René Lherisson, Fabrice Muhlenbach, Pierre Maret
Name‐Altering Practices As Probes in Electronic Music
Miami Bass Riot Grrrl Deep Ambient Abstractro Death Metal Halloween
The New Prince of Darkness
The Music Industry Is One of the Largest Cultural Industries and Makes a Significant Contribution to the World-Economy
September 1991
JON FISHMAN When Phish Called It Quits in 2004, He Headed up to the Farm and Traded His Sticks for a Shovel
Derrick May Azari&Iii Telephoned a Club Called
Reflections of a Strange Existence: New Singles Reviews
Heavy Metal Music Glam Metal Metalcore Grunge Music Drone
Underground Testing: Name-Altering Practices As Probes in Electronic Music
Music Reviews
Industrial Music for Industrial People: the History and Development of an Underground Genre Bret D
DJ-MATIC Genres – General Classification