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Nashville sound

  • Outlaws & Armadillos: Country's

    Outlaws & Armadillos: Country's

  • Jemf Quarterly

    Jemf Quarterly

  • Remembering Waylon

    Remembering Waylon

  • Off the Beaten Track

    Off the Beaten Track

  • BB-1971-12-25-II-Tal

    BB-1971-12-25-II-Tal

  • Teacher's Guide Country Music Hall of Fame® And

    Teacher's Guide Country Music Hall of Fame® And

  • Establishing Female Resistance As Tradition in Country Music: Towards a More Refined Discourse

    Establishing Female Resistance As Tradition in Country Music: Towards a More Refined Discourse

  • Maritime Bluegrass: the Local Meaning of a Global Music

    Maritime Bluegrass: the Local Meaning of a Global Music

  • NASHVILLE MUSIC INDUSTRY Impact, Contribution and Cluster Analysis

    NASHVILLE MUSIC INDUSTRY Impact, Contribution and Cluster Analysis

  • American Country Music of the Second Half of the Twentieth Century

    American Country Music of the Second Half of the Twentieth Century

  • “Boys 'Round Here”: Masculine Life-Course Narratives in Contemporary Country Music

    “Boys 'Round Here”: Masculine Life-Course Narratives in Contemporary Country Music

  • Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98

    Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98

  • The Southern Rock Music Revival: Identity Work and Rebel Masculinity Jason Todd Eastman

    The Southern Rock Music Revival: Identity Work and Rebel Masculinity Jason Todd Eastman

  • Country Music in the Modern Era: 1940S-1970S New World NW 207

    Country Music in the Modern Era: 1940S-1970S New World NW 207

  • JASON ISBELL and the 400 UNIT the Nashville Sound

    JASON ISBELL and the 400 UNIT the Nashville Sound

  • Country Airplay No

    Country Airplay No

  • City Country: the Paradox of Country Music in Urban America

    City Country: the Paradox of Country Music in Urban America

  • Counterculture Cowboys: Progressive Texas Country of the 1970S & 1980S

    Counterculture Cowboys: Progressive Texas Country of the 1970S & 1980S

Top View
  • Origins Evolution the Father Nashville Legacy Success Bibliography
  • The Nashville Sound— Plating for Music's Stars
  • "Which Way to the Honky-Tonk?" an Analysis of the Bakersfield and Nashville Sounds
  • Chapter Outline
  • Willie, Waylon, and Me: Mythopoetic Narratives in Outlaw Country Music
  • The Ledger and Times, March 8, 1968
  • Make the World Go Away”--Eddy Arnold (1965) Added to the National Registry: 2019 Essay by Michael Streissguth (Guest Post)*
  • Country Music in Tennessee: from Hollow to Honkytonk Joe Wilson, a Native Tennessean, Is Executive Director Ofthe National Council for the Tradi­ by Joseph T
  • Country Music And/As Popular Culture Dr. Christan Schmidt, Universität Bayreuth 1
  • A Corpus Analysis of Harmony in Country Music Trevor De Clercq
  • Lou Curtiss San Diego Folk Festival Collection
  • Miami Bass Riot Grrrl Deep Ambient Abstractro Death Metal Halloween
  • Listen and Learn: Grades 2-4
  • Waylon Jennings
  • The Aesthetics of Country Music John Dyck to Appear in Philosophy Compass—Please Cite Published Version
  • Download Article (PDF)
  • A Critical Analysis of the Dixie Chicks and the Country Music Industry
  • Women's Communication in Country Music


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