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Narodna muzika
Introduction Music and Ethnomusicology – Encounters in the Balkans
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British
MUSIC and DANCE in SOUTHEASTERN EUROPE: NEW SCOPES of RESEARCH and ACTION
New Folk: the Phenomenon of Chalga in Modern Bulgarian Folk
Musical Practices in the Balkans: Ethnomusicological Perspectives
Balkan Folk Music Research and the Ottoman Legacy
Where Is the Homeland in My Music?: Interhomelands Migration*
Contemporary Urban Folk Music in the Balkans: Possibilities for Regional Music History*
Turbo Folk and Dance Music in 1990S Serbia: Media, Ideology and the Production of Spectacle Ivana Kronja University of Arts, Belgrade
Savremeno Predškolsko Vaspitanje I Obrazovanje: Izazovi I Dileme
Stony Brook University
Pozicioniranje Turbofolka V Sodobni Hrvaški Popularni Kulturi
Turbo-Folk Music and Cultural Representations of National Identity In
Chalga to the Max! Musical Speech and Speech About Music on the Road Between Bulgaria and Modern Europe
Slavi Trifonov and the Commodification of Nationalism
Issue: 8 Year: 2016
Egjiptianëve Në Ballkan Antropologjia Socio‐Kulturore E Egjiptianeve Në Ballkan Dr
Top View
Carol Silverman Bulgarian Wedding Music Between Folk and Chalga
Timing Variations in Two Balkan Percussion Performances
Balkan” and the Constrained Appeal of Macedonian Ethno Music
“Paint Me Black and Gold and Put Me in a Frame”: Turbofolk and Balkanist Discourse in (Post) Yugoslav Cultural Space
Wedding Bands and the Ew Developments in Bulgarian Popular Music
Traditions in the Discussions About the Obrabotvane of Folklore in the Avtorski Pesni V Naroden Duh from Bulgaria
Marko Markovich and the Serbian Folk Brass Tradition
Bibliographie
781.7 Sanja Radinović SERBIAN FOLK BALLADS AND
'Narod' in Narodnjaci: Perceptions of Turbo Folk in Contemporary Sarajevo
Revival of Bulgarian Folk Music During Socialism and the Post-Socialist Transition: Music and Cultural Identity