DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Music of the Future
Music of the Future
Parsifal and Canada: a Documentary Study
The Nineteenth Century, Part 2: Nationalism and Ideology
4. Wagner Prelude to Tristan Und Isolde (For Unit 6: Developing Musical Understanding)
Constructing Chivalry: the Symbolism of King Mark in Wagner's Tristan
WAGNER 3 Cds the Royal Swedish Orchestra Traces Its Origins from the Court Chapel of the Sixteenth Century and Is One of the World’S Oldest Orchestras
The Love-Honor Dilemma in Tristan and Isolde: Calderón and the Tragic Conception of Wagner’S Opera
Chapter Twenty Two Outline Student
Romanticism, Rebellion, and the Music of the Future an Essay By
Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel
The Art-Work of the Future
Nietzsche's Critique of "Absolute" Music
Art and Revolution
Meyerbeer's Africana and Municipal
Fall 2011 in Deiner Zauber Holde Nacht
DIE MEISTERSINGER VON NÜRNBERG RICHARD WAGNER Born May 22, 1813, in Leipzig, Germany Died February 13, 1883, in Venice, Italy
The Paradox of Commodified Music in Decadence
A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine
Download Booklet
Top View
Thomas S. Grey
[email protected]
4666 Alpine Dr
The Critical Reception of Richard Wagner's Tristan Und Isolde in the English-Speaking World
Mahler and Strauss Transcript
University of Cincinnati
Wagner and Paris: the Case of Rienzi (1869)*
On the Perception of Early Atonal Music: Finding Musical Meaning in the Work of Anton Von Webern Jonathan Schmieding University of Connecticut - Storrs
Richard Wagner (1813–1883) Orchestral Music from Der Ring Des Nibelungen to Grasp the Essential Meaning of Der Ring Des Oblivion
Richter's Wagner: a New Source for Tempi in Das Rheingold
Richard Wagner and the Politics of Music-Drama Author(S): Mark Berry Source: the Historical Journal, Vol
From Gesamtkunstwerk to Music Drama
Scribe and Meyerbeer's L'africaine: a World-Minded Parisian Opera
The Cambridge Companion to Wagner Edited by Thomas S
The Music of Wagner in Toronto Before 1914 Carl Morey
Tribute to Franz Liszt in His Bi-Centenary Year Lecture
Memory and Hypnotism in Wagner's Musical Discourse
Pianistic Contributions of Hans Von Bülow (1830-94): Performer, Teacher, and Editor
Wagner's Loosely Knit Sentences and the Drama of Musical Form
Scholarly Program Notes of Recital Repertoire Stephen D
Liszt and Wagner. Foreword Nicolas Dufetel
King's Research Portal
Richard Wagner and the Politics of Music-Drama Author(S): Mark Berry Source: the Historical Journal, Vol