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Minor third

  • The 17-Tone Puzzle — and the Neo-Medieval Key That Unlocks It

    The 17-Tone Puzzle — and the Neo-Medieval Key That Unlocks It

  • Shifting Exercises with Double Stops to Test Intonation

    Shifting Exercises with Double Stops to Test Intonation

  • Harmonic Dualism and the Origin of the Minor Triad

    Harmonic Dualism and the Origin of the Minor Triad

  • Hexatonic Cycles

    Hexatonic Cycles

  • Interval Cycles and the Emergence of Major-Minor Tonality

    Interval Cycles and the Emergence of Major-Minor Tonality

  • Chords Employed in Twentieth Century Composition

    Chords Employed in Twentieth Century Composition

  • The Consecutive-Semitone Constraint on Scalar Structure: a Link Between Impressionism and Jazz1

    The Consecutive-Semitone Constraint on Scalar Structure: a Link Between Impressionism and Jazz1

  • 11 – Music Temperament and Pitch

    11 – Music Temperament and Pitch

  • Music Notation, but Not Action on a Keyboard, Influences

    Music Notation, but Not Action on a Keyboard, Influences

  • On the Notation and Performance Practice of Extended Just Intonation

    On the Notation and Performance Practice of Extended Just Intonation

  • MTO 12.3: Duffin, Just Intonation in Renaissance Theory and Practice

    MTO 12.3: Duffin, Just Intonation in Renaissance Theory and Practice

  • Concerto for Bassoon and Orchestra by Ellen Taaffe Zwilich: Background, Analysis, and Performance Application

    Concerto for Bassoon and Orchestra by Ellen Taaffe Zwilich: Background, Analysis, and Performance Application

  • Just Major Thirds

    Just Major Thirds

  • The Engineering Aspects of MUSIC by Dr

    The Engineering Aspects of MUSIC by Dr

  • Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music

    Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music

  • Western Music Theory

    Western Music Theory

  • Stefan Koelsch: Brain and Music: a Contribution to the Investigation of Central Auditory Processing with a New Electrophysiological Approach

    Stefan Koelsch: Brain and Music: a Contribution to the Investigation of Central Auditory Processing with a New Electrophysiological Approach

  • Chapter 7: Tetrachords and Strange Circles

    Chapter 7: Tetrachords and Strange Circles

Top View
  • The Connotation of Musical Consonance
  • Impact of Intervals on the Emotional Effect in Western Music
  • Musical Acoustics Interval, Scales, Tuning and Temperament
  • Introducing Triads
  • CIS 3000 Intervals Tutorial
  • MTO 18.4: Ewell, Rethinking Octatonicism
  • The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its Properties, and Its Use
  • Analysis of Musical Systems
  • Children's Song Acquisition: an Examination of Current Research and Theories
  • University Microfilms, Inc., Ann Arbor, Michigan (C) Copyright By
  • Dynamic Intonation for Synthesizer Performance Benjamin Frederick Denckla
  • Intervals.Pdf
  • Tones and Intervals of Hindu Classical Music
  • Introduction to Intervals
  • Regular Tunings
  • Transpositionnetworksand Networkchainsinschoenberg's
  • Perfect Fifth G# Minor Sixth a Major Sixth A# Minor Seventh B Major Seventh MUSIC and MATH WEEK 2
  • Analysis of Violin Combination Tones and Their Contribution to Tartinis Third Tone


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