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- Copyright by Abigail Rebecca Mace 2012
- Michael Praetorius Creuzbergensis-The Man, The
- EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Fall 2019
- Italian Musical Culture and Terminology in the Third Volume of Michael Praetorius’S Syntagma Musicum (1619)
- Rhetoric, Poetics, and Choice in the Cantiones Sacrae of Heinrich Schütz
- Lecture Recital Michael Dierks
- 6 'Sackbut': the Early Trombone1
- The Use of Harp in Early Seventeenth-Century Italy
- The Selected Sacred Solo Vocal Motets of Claudio Monteverdi Including Confitebor Tibi, Domine
- Buxtehude and the Meantone Organ Developing an Analytical Approach to Music’S Relationship to Temperament
- DMA Organ Literature 2012
- Music Notes for December 2Nd Prelude: Johann Pachelbel
- The Role of 12/8 Time Signature in J
- The Renaissance Sackbut and Its Use Today
- Chromatic Techniques in Baroque Variation Sets and Their Relationship to Late Madrigals by © 2019 Christopher W
- JESAIA, DEM PROPHETEN XXIV from Urania, 1603 by Michael Praetorius
- Renaissance and Baroque Music from Germany and Austria
- An Examination Into the Stylistic Characteristics
- The Italian Keyboard Canzona and Its Migration North
- Vocal Performance and Affective Delivery in the Music of Heinrich Schütz
- Proquest Dissertations
- View PDF Editionarrow Forward
- The Role of the Trombone and Its Affekt in the Lutheran Church Music of Seventeenth-Century Saxony and Thuringia: the Early Seventeenth Century
- Johann Sebastian Bach's Mass in B Minor: the Greatest Artwork of All Times and All People MARKUS RATHEY
- Portrait of Michael Praetorius (1571–1621)
- Lutheran Alternatim Practices in the 16Th and Early 17Th Centuries: a Narrative of Liturgical Artistry and Accessibility
- Pictorial Depictions of Musicians, Musical Instruments & Music-Making in the Stammbücher of Paul Jenisch (1558–1647) and Johann Michael Weckherlin (1579–1631)
- Program Notes
- Blue Heron Program Notes
- Issues of Voice Range and Transposition in Monteverdi’S Mantuan Madrigals
- Johann Hermann Schein and Musica Poetica: a Study of the Application of Musical-Rhetorical Figures .In the Spiritual Madrigals O
- Terpsichore at 400: Michael Praetorius As a Collector of Dance Music – PETER HOLMAN 34
- MUS 453A, Choral Literature of the Medieval, Renaissance and Baroque Eras Dr. Robert Istad Listening List the Fifteenth Century
- Experimental Musical Instruments Synopses of Articles
- Praetorius, M. Syntagma Musicum
- Medieval Instruments
- 7214103.PDF (10.02Mb)
- Identification of the Bass Violin (1535-1635)