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Michael Kelly (tenor)
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
The Anacreontic Society, the Antient
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Susan Rutherford: »Bel Canto« and Cultural Exchange
Diplomats As Musical Agents in the Age of Haydn
Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)
Music in the Classical Era (Mus 7754)
One by One, the Skaters Glide Into Their Starting
Stephen Storace (4 April 1762 – 19 March 1796) Was an English Composer
Migrating Mozart, Or Life As a Substitute Aria in the Eighteenth Century
Romantic Undertones in Revolutionary France: the Case for Tarare As Spark for the Revolution
Classical Era
1 Storace's Collection of Original Harpsichord Music As a Harbinger
Gluck “Resta, O Cara” from Il Trionfo Di Clelia
Full Reviews
Future Energy Needs and Engineering Reality Michael J Kelly Electrical
1-Amdt 19 BMS RECORDS
International Qualifications Frameworks Conference 15 April
Top View
2019 Annual Reporting to the State of Connecticut
The Trials of Tenducci 65:57 MENU a Castrato in Ireland PETER WHELAN Artistic Director TARA ERRAUGHT Mezzo-Soprano IRISH BAROQUE ORCHESTRA
Luigi Marchesi: Life and Voice
Mozart: the Man and the Artist, As Revealed in His Own Words
Valuation of Property Hobart Town and Launceston Report of The
INSIGHTS from Music Director Louis Langree