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- Best Movies in Every Genre
- Eurimages Supports 21 European Co-Productions
- Michael Haneke's ''Das Weisse Band (The White Ribbon)'' to Receive the Fipresci Grand Prix at San Sebastian Festival
- Meta-Cinematic Cultism: Between High and Low Culture Fátima Chinita Lisbon Polytechnic Institute, Theater and Film School, Portugal
- Downcast Eyes: Michael Haneke and the Cinema of Intrusion
- Reconceptualising Extreme Art
- FILM REVIEW Amour
- SUMMER 2018 COURSE CATALOG Registration Opens Tuesday, April 10, 2018 Phone Registration Opens Friday, April 13, 2018
- (Haneke, 2017) Elizabeth Ezra There
- 28 Days Later
- A Companion to Michael Haneke
- ''Equally Mixed'': Artistic Representations of Old Love
- A Theology of Death for Michael Haneke's Amour
- Bebe Lerner 323-822-4800 Lauren Burton 212-334-0333 SONY
- The 60Th Edinburgh International Film Festival Or, Why You Don't See
- The Cinematic Wink: Representations of Winking in Screen Media
- Amour (2012) “It's Beautiful. Life. So Long.” Major Credits: Director: Michael Haneke Screenplay: Michael Haneke Cinematogra
- Investigating the Making of Cinematic Silence
- Film-Philosophy Conference 2011 Liverpool John Moores University July 6, 2011 – July 8, 2011
- Moving Images Against the Current the Aesthetics and Geopolitics of (Im)Mobility in Contemporary Europe
- 185 261 2 PB.Pdf
- Configuring the Collective in Michael Haneke's the White Ribbon
- WTOP Greatest Movies
- Amour Screenplay and Directed by Michael Haneke 2012 Michael Haneke's Latest Film Amour Is As Starkly Moving and Memorable As
- Course Syllabus
- Press Information January | February 2018 Ingmar Bergman
- Towards a History and Aesthetics of Reverse Motion a Dissertation
- Re-Examining the Active Viewer in Michael Haneke's Amour
- Here Is No Membership Fee If You Would Like to Become a Member of H.H.F
- COSTA-GAVRAS ADULTS in the ROOM
- The Structures of the Film Experience by Jean-Pierre Meunier Film Theory in Media History
- Press Release Ref
- December 2019 Guide Where Community Meets Cinema
- UC Berkeley UC Berkeley Electronic Theses and Dissertations
- 51 Fantastique French Films! (Continued)
- The Cinema of Federico Fellini and 8½
- Writing Nominations for Foreign Language (Non
- Downcast Eyes Michael Haneke and the Cinema of Intrusion
- The Films Supported by Media at Cannes in 2001 and the Total
- European Cinema
- On Making Sense of Michael Haneke's Films—And Things In
- Ethics at the Movies, Ethics in Movies
- Children and Cinema: Moving Images of Childhood
- A CONTENT ANALYSIS of the PROMOTIONAL MATERIAL of FOREIGN-LANGUAGE FILMS in the UNITED STATES Ilich Mejía
- Movements in World Cinema II: 1960S to the Present Spring 2017 [Mondays 6-7:50 PM 65 West 11 Street Room B-050]
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- Stony Brook University
- Best Movies of All Time
- Introduction
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