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Max Bense
An Interview with Frieder Nake
Agnes C. Mueller Professor of German & Comparative Literature
[email protected]
(803) 414-0316
Concrete Constructions: Assembling a Postwar Poetics KURT BEALS Washington University in St
Humans Create, Occasionally. Computers Operate, Always. Self-Evident & Trivial
The Strategy of Equivocation in Adorno's "Der Essay Als Form"
Aesthetics in Computational Design
Beat Suter Lineages of German-Language Electronic Literature
Mainframe Experimentalism
Aesthetics, Semiotics & Design
Martha Schwendener Art and Language in Vilém Flusser's Brazil: Concrete Art and Poetry
Art and Anti-Art: Provocation, Elemental Life Form of Society
Ignacio Gómez De Liaño
Concrete Poetry : the Influence of Design and Marketing on Aesthetics
“No Preexistent World”
Bense Max Programmierung D
The Aesthetics of Digital Images – Selection and Semiosis
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What Does It Mean to Speak of the Actuality of Critical Theory?
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Cybernetic Serendipity the Computer and the Arts
Technics and Humanism in Max Bense's
The Pioneer of Generative Art Georg Nees
Aesthetics in Computational Design
The Early Computer Poetry and Concrete Poetry Matteo D'ambrosio
Wilhelm Ostwald's Combinatorics As a Link Between In-Formation and Form
Informational Aesthetics—What Is the Relationship Between Art Intelligence and Information? †
Logic's Lost Genius
The Essay in Times of Crisis
Max Bense (Pp
1 Parallax Alistair Rider the Concreteness of Concrete
Reprogramming Systems Aesthetics: a Strategic Historiography
23Rd Generative Art Conference
A Model and Six Semiotic Dimensions for the Ideation of Products
Max Bense, Kybernetik Oder Die Metatechnik Einer Maschine, In
Towards an Ontology of Computer-Generated Aesthetic Artefacts
The Essay As Form T. W. Adorno; Bob Hullot-Kentor; Frederic Will New German Critique, No. 32. (Spring
Witti-Buch1 2001.Qxd
COMPUTER GRAPHIC RE-VISITED Jana Horáková, Jiří Mucha
The Contribution of Tomas Maldonado to the Scientific Approach to Design at the Beginning of Computational Era the CASE of the HFG of ULM
The Legacy of the Hochschule Für Gestaltung of Ulm for Computational Design Research in Architecture
Badischer Kunstverein
The Limits of Literary Language: Linguistic Skepticism and Literary Experiment in Postwar Germany and Austria
On the Essay and Its Prose (1948)
Structure (Pp
Max Bense As a Visionary, a Dialectic of Programmed Images
The Legacy of the Hochschule Für Gestaltung of Ulm for the Computational Design Research in Architecture
Relations Between Mathematics, Philosophy and Design at Ulm
Zum Gedenken an Max Bense Reden Und Aufsätze 64 Universität Stuttgart
Konkret Digital Interview with Johannes Auer About Concrete Poetry and Net Literature (2011)
Opening September 10Th, 2020 Galería Elvira González Is Pleased
110 Max Bense and Joseph Beuys in Discussion, Düsseldorf, 1970