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Lucio Fulci
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
From the Classical Polis to the Neoliberal Camp: Mapping the Biopolitical Regimes of the Undead in Dawn of the Dead, Zombi 2 and 28 Days Later
Barron, Lee (2020) Ultraviolent Gothic Visions : Lucio Fulci’S ‘Gates of Hell’ Trilogy As Derridean Cinematic Haunted Spaces
Taylor Doctoralthesis Complete
Bodies of Desire and Bodies in Distress
Call for Chapters: New Critical Approaches to the Giallo Film
Bars: All Dressed up and Nowhere to Go
First Line of Title
Revisiting Evil Dead
Il Profumo Della Signora in Nero and the Giallo Film
The Contemporary American Horror Film Remake, 2003-2013
The Birth of Pop. the Soundscapes of the Sixties in Italian Cinema and Television
Vermeer and Lucio Fulci's SETTE NOTE
Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St
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9781474458139 Vampires in It
Genre, Gender, Giallo: the Disturbed Dreams of Dario Argento
About Anthology FILM Archives
Top View
Ultraviolent Gothic Visions: Lucio Fulci's 'Gates of Hell'
The Loft Cinema Film Guide
Video Nasties’: Economics, Marketing
The Zombie Media Monster and Its Evolution As a Sign and Historical
Eg Phd, Mphil, Dclinpsychol
Il Terrorista Dei Generi Tutto Il Cinema Di Lucio Fulci
Grindhouse Nostalgia Memory, Home Video and Exploitation Film Fandom
Nahaufnahmen Des Auges Als Affektbilder Im Film
Gender, Genre and Sociocultural Change in the Giallo: 1970-1975
BOOKLET V5 LR.Pdf
A Blade in the Dark: Translating the Giallo Killer Into the Slasher
Danza Macabra: the Reevaluation of Antonio Margheriti Through His Film Castle of Blood Nicholas Diak a Thesis Submitted in Parti
The Birth of Pop. the Soundscapes of the Sixties in Italian Cinema And
The Strange Vice of Mrs. Wardh and the Giallo: an International Film Conference
The Walking Dead: Estranhamente Familiar
Cronaca Noir: the Circulation and Production of Italian Crime Films In
The American Giallo
The Post- 9/11 Aesthetic: Repositioning the Zombie Film in the Horror Genre Alan Edward Green, Jr
Titillating Cuts Genealogies of Women Editors in Italian Cinema
Letter from the President
Zombies and the Post-Colonial Italian Unconscious Simone Brioni
[email protected]
Chapter 2 Italy
Pandemics and 'Zombies': How to Think Tropical Imaginaries with Cinematic Cosmologies
Interacting with Horror: Archaeology of the Italian Horror Genre from Its Origins Until the Eighties
Spanish Zombie Films: the Cases of Amando De Ossorio and Jorge Grau
B for Bad Cinema Plus General Articles
'Beyond “Brutality”: Understanding the Italian
A Zombie Manifesto: the Nonhuman Condition in the Era of Advanced Capitalism Sarah Juliet Lauro and Karen Embry
Zombies in Tondela: Watching I’Ll See You in My Dreams (2003)
Cinergie – Il Cinema E Le Altre Arti
The 1980S Italian Horror Cinema of Imitation: the Good, the Ugly and the Sequel