Living Dead
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- Creating an Audience for Community Theatre: a Case Study of Night of the Living Dead at the Roadhouse Theatre
- The Theatre of Death: the Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, Must One Die to Be Dead?
- The Zombie Virus: a Virtual Byte Too Far
- Night of the Living Dead by John Russo
- The Racial Critique of Consumerism in George Romero's Zombie Films
- Zombie Politics and Culture in the Age of Casino Capitalism</Em>
- Dead Man Still Walking: a Critical Investigation Into the Rise and Fall
- Crawling Off the Screen: an Ethnography of Live Action Zombie Events in the United States
- The Zombie Media Monster and Its Evolution As a Sign and Historical
- Considering Blackness in George A. Romero's Night of the Living Dead
- Scientific Ethos and the Cinematic Zombie Outbreak Science in Fictional Narratives
- Man-Eating Monsters: Anthropocentrism and Popular Culture
- Humanism and Posthumanism in Zombie Films Ashley Knox Regis University
- Dead Rising and the Gameworld Zombie
- Interdisciplinary Approaches to Surviving the Zombie Apocalypse Conference
- Zombies and the Post-Colonial Italian Unconscious Simone Brioni [email protected]
- Born on Feb. 4, 1940 in New York City, Romero Became Interested in Filmmaking at a Young Age When He Borrowed an 8Mm Camera from a Wealthy Uncle
- The Development of the Zombie Film Narrative