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Licenza (musical term)
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
Leopold Stokowski
Concierto Barroco: Estudios Sobre Música, Dramaturgia E Historia Cultural
Quaderni Di Teoria Sociale 2009
Il Teatro Significa Vivere Sul Serio Quello Che Gli Altri Nella Vita Recitano Male.”1
Biblioteca Di Studi Di Filologia Moderna – 27 –
Between Venice, Lubowla in Spiš and Kraków: Prince Teodor Lubomirski – an Enthusiast of Italian Opera (A Preliminary Study)
The Complete Sacred Music of Nicolò Isouard (1773 – 1818) and Maltese Sacred Music for the Order of Malta in the Late Eighteenth Century
Music Migration in the Early Modern Age
The Chalumeau in Eighteenth-Century Vienna: Works for Soprano and Soprano Chalumeau Elizabeth Crawford
Oratorios Semaine Sainte
Ornamentation in Mozart's Concert Arias for Aloysia Weber: the Traditions of Singing and Embellishment
Phaeton's Downfall and Afterwards: Love, Ambition and Magic in António
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Porpora and the Palchetti War Kurt Markstrom
Marcello Di Capua, Court Composer to Princess Izabela Lubomirska the Latest Research Into His Life and Works*
A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
Alcune Riflessioni Sulle Licenze Creative Commons E I Diritti
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Staging the Translation of Opera As a Medium of (Sub)Version: Portuguese Appropriation of Italian Melodrama in the 18Th Century
Selected Handel Vocal Arias Repurposed As Horn Repertoire
Paventainsano
Music of Virko Baley an 80Th Birthday Celebration
Königin Von Armenien Il Vologeso Dramma Per Musica Nach Apostolo Zeno
Michele Girardi Remediation Or Opera on Screen?
PHILHARMONIA HUNGARICA MILTIADES CARIDIS, Conductor
An Analysis of the Concert Arias for Soprano Voice
MUSICAL LISTENING in the AGE of TECHNOLOGICAL REPRODUCTION Musical Cultures of the Twentieth Century Volume L
Milan 1790-1802: Music, Society and Politics in the City of Many Regimes
Nemla Italian Studies Journal of Italian Studies Italian Section Northeast Modern Language Association
FONETICA SPERIMENTALE «Arturo Genre» Dell’Università Di Torino
Cover Page the Handle Holds
A Dictionary of Musical Terms
827949088568.Pdf
French Musical Orientalism in Russia, “Artistic Truth,” and Russian Musical Identity Adalyat Issiyeva
Information Structures in Notated Music: Statistical Explorations of Composers' Performance Marks in Solo Piano Scores
Giovanni Paolo Bottesini As a Composer for the Tenor Voice
Mactiûn OP THEATRICAL AND
Das Programm Vorschau Auf Die Neuerscheinungen 2/2013