DOCSLIB.ORG
  • Sign Up
  • Log In
  • Upload
  • Sign Up
  • Log In
  • Upload
  • Home
  • »  Tags
  • »  Licenza (musical term)

Licenza (musical term)

  • The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

    The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

  • Leopold Stokowski

    Leopold Stokowski

  • Concierto Barroco: Estudios Sobre Música, Dramaturgia E Historia Cultural

    Concierto Barroco: Estudios Sobre Música, Dramaturgia E Historia Cultural

  • Quaderni Di Teoria Sociale 2009

    Quaderni Di Teoria Sociale 2009

  • Il Teatro Significa Vivere Sul Serio Quello Che Gli Altri Nella Vita Recitano Male.”1

    Il Teatro Significa Vivere Sul Serio Quello Che Gli Altri Nella Vita Recitano Male.”1

  • Biblioteca Di Studi Di Filologia Moderna – 27 –

    Biblioteca Di Studi Di Filologia Moderna – 27 –

  • Between Venice, Lubowla in Spiš and Kraków: Prince Teodor Lubomirski – an Enthusiast of Italian Opera (A Preliminary Study)

    Between Venice, Lubowla in Spiš and Kraków: Prince Teodor Lubomirski – an Enthusiast of Italian Opera (A Preliminary Study)

  • The Complete Sacred Music of Nicolò Isouard (1773 – 1818) and Maltese Sacred Music for the Order of Malta in the Late Eighteenth Century

    The Complete Sacred Music of Nicolò Isouard (1773 – 1818) and Maltese Sacred Music for the Order of Malta in the Late Eighteenth Century

  • Music Migration in the Early Modern Age

    Music Migration in the Early Modern Age

  • The Chalumeau in Eighteenth-Century Vienna: Works for Soprano and Soprano Chalumeau Elizabeth Crawford

    The Chalumeau in Eighteenth-Century Vienna: Works for Soprano and Soprano Chalumeau Elizabeth Crawford

  • Oratorios Semaine Sainte

    Oratorios Semaine Sainte

  • Ornamentation in Mozart's Concert Arias for Aloysia Weber: the Traditions of Singing and Embellishment

    Ornamentation in Mozart's Concert Arias for Aloysia Weber: the Traditions of Singing and Embellishment

  • Phaeton's Downfall and Afterwards: Love, Ambition and Magic in António

    Phaeton's Downfall and Afterwards: Love, Ambition and Magic in António

  • Download Booklet

    Download Booklet

  • Porpora and the Palchetti War Kurt Markstrom

    Porpora and the Palchetti War Kurt Markstrom

  • Marcello Di Capua, Court Composer to Princess Izabela Lubomirska the Latest Research Into His Life and Works*

    Marcello Di Capua, Court Composer to Princess Izabela Lubomirska the Latest Research Into His Life and Works*

  • A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il

    A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il

  • Alcune Riflessioni Sulle Licenze Creative Commons E I Diritti

    Alcune Riflessioni Sulle Licenze Creative Commons E I Diritti

Top View
  • Staging the Translation of Opera As a Medium of (Sub)Version: Portuguese Appropriation of Italian Melodrama in the 18Th Century
  • Selected Handel Vocal Arias Repurposed As Horn Repertoire
  • Paventainsano
  • Music of Virko Baley an 80Th Birthday Celebration
  • Königin Von Armenien Il Vologeso Dramma Per Musica Nach Apostolo Zeno
  • Michele Girardi Remediation Or Opera on Screen?
  • PHILHARMONIA HUNGARICA MILTIADES CARIDIS, Conductor
  • An Analysis of the Concert Arias for Soprano Voice
  • MUSICAL LISTENING in the AGE of TECHNOLOGICAL REPRODUCTION Musical Cultures of the Twentieth Century Volume L
  • Milan 1790-1802: Music, Society and Politics in the City of Many Regimes
  • Nemla Italian Studies Journal of Italian Studies Italian Section Northeast Modern Language Association
  • FONETICA SPERIMENTALE «Arturo Genre» Dell’Università Di Torino
  • Cover Page the Handle Holds
  • A Dictionary of Musical Terms
  • 827949088568.Pdf
  • French Musical Orientalism in Russia, “Artistic Truth,” and Russian Musical Identity Adalyat Issiyeva
  • Information Structures in Notated Music: Statistical Explorations of Composers' Performance Marks in Solo Piano Scores
  • Giovanni Paolo Bottesini As a Composer for the Tenor Voice


© 2024 Docslib.org    Feedback