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Laura (Giorgione)
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort
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ELISABETTA SIRANI's JUDITH with the HEAD of HOLOFERNES By
The Allure of Artifice: Titian's Half-Lengths and the Courtesan As
INNOVATION and EXPERIMENTATION: VENETIAN RENAISSANCE and MANNERISM (Titian and Pontormo) VENETIAN RENAISSANCE
Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting at the National Gallery of Art Washington June 18–September 17, 2006
Lord Byron's Beppo
Renaissance Venetian Art Venice in the Sixteenth Century: Giorgione, Titian and the Notion of Colore
Giovanni Morelli and His Friend Giorgione: Connoisseurship, Science and Irony
Facing Challenges of Panel Paintings Conservation
Contemporary Interpretation of Three Paintings by Titian (Tiziano Vecellio, C
Titian's Painting Techniques Before 1540
Female Duality and Petrarchan Ideals in Titian's Sacred and Profane Love
Titian Intro ROB 17/09/2013 15:17 Page 1
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
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