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Karel van Mander
CORNELIS CORNELISZ. VAN HAARLEM (1562 – Haarlem – 1638)
MAGIS Brugge
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
Cornelis Cornelisz, Who Himself Added 'Van Haarlem' to His Name, Was One of the Leading Figures of Dutch Mannerism, Together
"MAN with a BEER KEG" ATTRIBUTED to FRANS HALS TECHNICAL EXAMINATION and SOME ART HISTORICAL COMMENTARIES • by Daniel Fabian
Courant 7/December 2003
Self-Portraiture 1400-1700
Figures for the Soul
The Historiography of Perspective and Reflexy-Const in Netherlandish
Rembrandt's Laughter and the Love of Art*
Still Looking for Pieter Bruegel the Elder
Hemez Ruisdael WEB.Pdf
Jacob Van Ruisdael's Trees
Dutch and Flemish Art at the Utah Museum of Fine Arts A
Dutch Masterpiece by Cornelis Van Haarlem Donated to Worcester Art Museum by Collector Hester Diamond
Flemish Artists' Training Voyages in Italy
Art As Spiritual Perception
The Artful Context of Rembrandt's Etching
Top View
Michael Sweerts (1618-1664) and the Academic Tradition
Jan De Beer's Lifetime Reputation and Posthumous Fate
Hals, Frans Dutch, C
Karel Van Mander
Vermeer and the Delft School
Copyright by Elise Marie Nacca 2006
Jan Van Bijlert and the Utrecht Caravaggisti
On a Celebrated Anecdote by Karel Van Mander About Pieter Bruegel the Elder
The Art of Joachim Wtewael
Projektbeschreibung Die Unterwelt Als Spiegel Technologie Und Religion in Der Malerei Der Fiamminghi Zwischen Florenz, Neapel Und Rom
Prints and Drawings by and After Such Masters As Raphael, Titian Fig 12
Goede Nacht: Images of the Night in Seventeenth-Century Dutch Visual Culture by © 2019 Reilly Oliver Winston Shwab Submitted To
Painting in the Dutch Golden Age: a Profile of the Seventeenth Century
The Leiden Collection Catalogue, 3Rd Ed
Frans Hals the Great Masters in Painting and Sculpture
Information to Users
Rembrandt and the Leiden Collection
Karel Van Mander, "Pieter Bruegel of Bruegel"
Midwestern Arcadia: Essays in Honor of Alison Mcneil Kettering
Love in the Kunstkamer Additions to the Work of Guillam Van Haecht (1593-7637)
Rembrandt's Etched Sketches and Seventeenth-Century
Pieter Brueghel the Younger (Brussels 1564/65 – 1637/38 Antwerp)
Karel Van Mander
The Market Paintings of Pieter Aertsen and Joachim Beuckelaer: Reflexy-Const, Recognition and the Pursuit of the “Real”
Art and Religion in Karel Van Mander's Oeuvre God and the Gods in the Schilder-Boeck
The Painting Technique Offour Paintings Hy Hendrick Goltzius and the Introduction Ofcoloured Ground
November 2015 Newsletter