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Jim Jackson (musician)
Memphis Jug Baimi
Rhythm Posse Occasionally Worked with Bukka White in Local Juke Facebook.Com/Rhythmposse Joints
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
CLASSIC AFRICAN AMERICAN SONGSTERS from SMITHSONIAN FOLKWAYS CLASSIC AFRICAN AMERICAN SONGSTERS from SMITHSONIAN FOLKWAYS
WILL SHADE,,DEWEY CORLEY, JENNIE MAE CIAYTON (Sp?)
Samuel B. Charters: Notes to Folkways FS 3823 "Furry Lewis"
Tennessee Blues and Gospel: from Jug Band to Jubilee by David Evans and Richard M
Blues Lyric Formulas in Early Country Music, Rhythm and Blues, and Rock and Roll *
Representations of African American Women in Blues Lyrics Written by Black Women
THE TITANIC a CASE STUDY of RELIGIOUS and SECULAR ATTITUDES in AFRICAN AMERICAN SONG CHRIS SMITH in Saints and Sinners
Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism
California State University, Northridge the Blue Note: A
The Memphis and Shelby County Room Music Listening Station Guide
North Memphis Off Dunlap. Mosley St. Is Between Dunlap and 3
Black Musicians in String-Bands in the American South, 1920 – 1950
The Call Ntmber"Pre-Ding Each Entry Is Based on the Audio-Visual Department's Own, Unique Classification Scheme and Is Included to Facilitate Local Use Only
Blues Society Jam News John Jackson 1924-2002
Blues Et Féminisme Noir
Top View
Reachin' Pete and Johnny Nab: the Police in Commercial Blues Recordings to 1943
Aaba, Refrain, Chorus, Bridge, Prechorus — 1 Song Forms and Their Historical Development
Blue Yodel (T for Texas)”--Jimmie Rodgers (1927) Added to the National Registry: 2004 Essay by Ben Wynne (Guest Post)*
Down on Beale Street