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- Parody As a Borrowing Practice in American Music, 1965–2015
- The Bulletin O F T H E So C I E T Y F O R Am E R I C a N Mu S I C F O U N D E D in H O N O R O F Os C a R G
- Stephen Sondheim and His Filmic Influences
- Open a List of Selected Athenaeum Resources on Broadway, Including
- Sondheim: His Influence on Musical Theatre Jordan Fredericks [email protected]
- CPO Letterhead
- 'Piano Man' Marvin Hamlisch Returns to PAC March 22
- Barbra's “Funny Girl” Body Stacy Wolf
- MUSICALS Musicals Stemmed from Operas, Operettas, and Musical
- Dissertation Is to Determine That Voice And, in So
- Academy Award Music
- Scholarship and the Musical: Reclaiming Jerome Kern
- Official Biography with a Life That Spanned More Than 100
- THE POPULAR AMERICAN BALLAD from 1920 – 1950 by Lisa R
- Thesis Dawn Ziegerer Behnken
- Vista Navigator™ Allen Performance MIDI Files Chart
- Bio Information for “Autumn Leaves”
- Curriculum Guide by Dan Mccabe | Directed by Billy Porter Table of Contents
- 'S GREATEST MOVIE MUSICALS
- MTO 23.4: Duinker, Changing Content in Flagship Music Theory Journals
- A Brief History of Musical Theater Anne Blotter Musical Theater Uses Music, Acting, and Dance to TELL a STORY
- Jerome Kern Revisited Notes and Credits
- ML Final J300.Qxd
- History of Musical CD Booklet
- SESSION TWO: Broadway and Tin Pan Alley Session Two: Broadway and Tin Pan Alley
- We'll Find a New Way of Living
- Solomon and Sinatra: the Song of Songs and Romance in the Church Robert Case a Sunday School Class Faith Presbyterian Church Tacoma, Washington 2016
- Program Notes
- MTO 19.3 Examples: Callahan, Sentential Lyric-Types in the Great American Songbook
- My Man and Second Hand Rose
- The Study Guide
- Guide to the Sam Devincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II
- Speech Inflection in American Musical Theatre Compositions
- They Didn't Believe Me
- Procedures for Election of 1966 -1968 State Chairmen
- "King Cole -‐ the Music and Lyrics of Cole Porter"
- 355 Oscar Hammerstein Ii and the Performativity of Race
- Download Booklet
- SUGGESTIONS for LISTENING Lesson Example: • George Frideric Handel (1685–1759), Concerto Grosso, Op
- Jews and the Broadway Musical, Part Two: Fiddler on the Roof (1964)