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Jean Rouch
Memories of the Origins of Ethnographic Film / Beate Engelbrecht (Ed.)
John Marshall and the Marshall Family Kalahari Project
Bulletin of the ICTM Vol
Editor's Introduction
Journal De La Société Des Océanistes, 148 | 2019 the Rise of Film Authorship in Papua New Guinea
Cahiers D'ethnomusicologie, 14
Jean Rouch Talks About His Films to John Marshall and John W. Adams Source: American Anthropologist, New Series, Vol. 80, No. 4 (Dec., 1978), Pp
Redalyc.People and Sounds": Filming African Music Between Visual
Cumulative Index for Studies in the Anthropology of Visual Communication, Volumes 1-5
Conversation with Hugo Zemp
Program & Abstracts
Ethno-Cinema, Youths and Public Health: the Social Practice of The
Bulletin of the ICTM Vol
Documenting and Presenting Intangible Cultural Heritage on Film
Bulletin of the ICTM Vol. 145 — January 2021 — Page 1 SECRETARIAT and EXECUTIVE BOARD
Filming African Music Between Visual Anthropology and Television Por Artículo > Por Autor > Documentary
Drawing with a Camera? Ethnographic Film And
A Brief History of Radical Film Collectives from the 1960S to the 80S: Interview with Federico Rossin on the Retrospective ‘United We Stand, Divided We Fall’
Top View
Ethnographic Film Syllabus Public
Culture & Power Timetable 2011-12
SO103 Representing the ‚Other': Anthropological Research Methods
The Ethnographic Cinema of Jean Rouch O Cinema
FELD Long Cv
Transcending the Documentary: the Films of Arthur Lipsett
Th E M Useum O F R H Yth M
Using Film in Ethnographic Field Research
Cumulative Index: Vol.1 No. 1 Through Vol. 4 No. 1 1974-77
Picture Perfect (?): Ethical Considerations in Visual Representation
The Camera and Man
Jean Rouch on the Gold Coast Jaguar (Shot 1954–55, Premiered 1967) Preceded by Les Maîtres Fous (The Mad Masters, 1955)
': the Inherent Tensions in Rouch's Opus As a Metonymy for The
STÁHNOUT Digitální Verzi
Moving Images. Visual Anthropology at the Institute for Scientific Film in Germany
Jean Rouch Cited Filmography
Methodologies, Sounds, and Experiences in Cairo Vincent Battesti
Some Thoughts Regarding Reflexivity in Ethnographic Films
Aug 0 8 1985
Etnoantropologia, 4 (2) 2016 - ISSN 2284-0176
A Tribute to Jean Rouch (1917–2004)
OXFORD UNIVERSITYPRESS Published Jointly with the ANNENBERG SCHOOL of COMMUNICATIONS, University of Pennsylvania INTERNATIONAL ENCYCLOPEDIA of COMMUNICATIONS·
Jean Rouch Africa Documentary
Film As Ethnogr Aphy, Activism, & Public Work In
' Jean Rouch's Initiatives
FILMS and VIDEOS AS FORMS of KNOWLEDGE: RECENT DEVELOPMENTS and DOI 10.11606/Issn.2525-3123
Authorship in Western Ethnographic Film-Making: a Selective History
Insecure Worlds on Screens: Early Ethnographic Cinema in France and the United States, 1896-1931
Ethnographic Film: Proposing an Alternate Critical Framework
Remembering Rouch
Visual Anthropology 070:309 (3 Credits) Wed 3:55- 6:55Pm HCK-130 Pilar K
Redalyc.Visual Anthropology in Post-Colonial Worlds
` SYLLABUS – Ethnographic Methodologies: Visual (As of 6-8-18
Dans Le Bain Avec Rouch: a Reminiscence
Bulletin of the ICTM Vol. 138 (October 2018)
Filming Music and Looking at Music Films