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Ida Cox
JREV3.6FULL.Pdf
The Sexual Politics of Women's Blues
Men, Women, and the Blues the Blues Teacher’S Guide
Oran Thaddeus Page “Hot Lips”
A Feminist Perspective on New Orleans Jazzwomen
Guide to the Ernie Smith Jazz Film Collection
JREV2.11Full.Pdf
Representations of African American Women in Blues Lyrics Written by Black Women
Selling the Sounds of the South: the Visual and Verbal Rhetoric of Race Records and Old Time Records Marketing, 1920-1929
Guide to the Duncan P. Schiedt Photograph Collection
An Analysis of Memphis Minnie's Proto-Feminism
A Tommy Ladnier Discography Bo Lindström
The Jazz Rag
Blues Music and the Art of Narrative Self-Invention
Ma Rainey – Part 6 Karl Gert Zur Heide
1 Breaking Into the Boy's Club: the Creative Minds of Women in Jazz
Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism
Introduction
Top View
Drums with the Phonograph at the Fish Fries. People Would Come in and Buy Fish and Homebrew
Music 126/Ethnic Studies 178 the Blues: an Oral Tradition Fall 2017 Course Page/Syllabus
Blackface, White Noise: the Jewish Jazz Singer Finds His Voice Author(S): Michael Rogin Reviewed Work(S): Source: Critical Inquiry, Vol
“See See Rider Blues” –Gertrude “Ma” Rainey (1924) Added to the National Registry: 2004 Essay by Jas Obrecht (Guest Post)*
“Down Hearted Blues”—Bessie Smith (1923) Added to the National Registry: 2002 Essay by Cary O’Dell
&= 6 Mlwъhп)•Я©Му9š
Registrant Over Jazz Fotos I Syddansk Universitetsbiblioteks Jazzsamlinger
Jack Clarence Higginbotham “J. C.”
'Bubber' Miley
Chilowicz Sauter Thesis
CBS Newsletter October Print 2-2017
Henry James Allen “Red”
Postmodern Blackness and the Legacy of Bessie Smith Phillip M
Ma Rainey: Mother of the Blues
Farewell Rosa Henderson by Derrick Stewart-Baxter (Jazz Journal July 1968, P.16)
Smith, Bessie (15 Apr. 1894-26 Sept. 1937), Blues Singer, Was Born In