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  • »  Ida Cox

Ida Cox

  • JREV3.6FULL.Pdf

    JREV3.6FULL.Pdf

  • The Sexual Politics of Women's Blues

    The Sexual Politics of Women's Blues

  • Men, Women, and the Blues the Blues Teacher’S Guide

    Men, Women, and the Blues the Blues Teacher’S Guide

  • Oran Thaddeus Page “Hot Lips”

    Oran Thaddeus Page “Hot Lips”

  • A Feminist Perspective on New Orleans Jazzwomen

    A Feminist Perspective on New Orleans Jazzwomen

  • Guide to the Ernie Smith Jazz Film Collection

    Guide to the Ernie Smith Jazz Film Collection

  • JREV2.11Full.Pdf

    JREV2.11Full.Pdf

  • Representations of African American Women in Blues Lyrics Written by Black Women

    Representations of African American Women in Blues Lyrics Written by Black Women

  • Selling the Sounds of the South: the Visual and Verbal Rhetoric of Race Records and Old Time Records Marketing, 1920-1929

    Selling the Sounds of the South: the Visual and Verbal Rhetoric of Race Records and Old Time Records Marketing, 1920-1929

  • Guide to the Duncan P. Schiedt Photograph Collection

    Guide to the Duncan P. Schiedt Photograph Collection

  • An Analysis of Memphis Minnie's Proto-Feminism

    An Analysis of Memphis Minnie's Proto-Feminism

  • A Tommy Ladnier Discography Bo Lindström

    A Tommy Ladnier Discography Bo Lindström

  • The Jazz Rag

    The Jazz Rag

  • Blues Music and the Art of Narrative Self-Invention

    Blues Music and the Art of Narrative Self-Invention

  • Ma Rainey – Part 6 Karl Gert Zur Heide

    Ma Rainey – Part 6 Karl Gert Zur Heide

  • 1 Breaking Into the Boy's Club: the Creative Minds of Women in Jazz

    1 Breaking Into the Boy's Club: the Creative Minds of Women in Jazz

  • Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism

    Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism

  • Introduction

    Introduction

Top View
  • Drums with the Phonograph at the Fish Fries. People Would Come in and Buy Fish and Homebrew
  • Music 126/Ethnic Studies 178 the Blues: an Oral Tradition Fall 2017 Course Page/Syllabus
  • Blackface, White Noise: the Jewish Jazz Singer Finds His Voice Author(S): Michael Rogin Reviewed Work(S): Source: Critical Inquiry, Vol
  • “See See Rider Blues” –Gertrude “Ma” Rainey (1924) Added to the National Registry: 2004 Essay by Jas Obrecht (Guest Post)*
  • “Down Hearted Blues”—Bessie Smith (1923) Added to the National Registry: 2002 Essay by Cary O’Dell
  • &= 6 Mlwъhп)•Я©Му9š
  • Registrant Over Jazz Fotos I Syddansk Universitetsbiblioteks Jazzsamlinger
  • Jack Clarence Higginbotham “J. C.”
  • 'Bubber' Miley
  • Chilowicz Sauter Thesis
  • CBS Newsletter October Print 2-2017
  • Henry James Allen “Red”
  • Postmodern Blackness and the Legacy of Bessie Smith Phillip M
  • Ma Rainey: Mother of the Blues
  • Farewell Rosa Henderson by Derrick Stewart-Baxter (Jazz Journal July 1968, P.16)
  • Smith, Bessie (15 Apr. 1894-26 Sept. 1937), Blues Singer, Was Born In


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