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Horestes
Mankind Et Everyman Avant-Propos De Jean-Paul Débax & André Lascombes
University of Szeged Faculty of Arts Doctoral School of English and American Literatures and Cultures
John Stephen Farmer
Furious: Myth, Gender, and the Origins of Lady Macbeth
The Singing 'Vice': Music and Mischief in Early English Drama1
'To See the Playes of Theatre Newe Wrought': Electronic Editions And
Vice': Music and Mischief in Early English Drama Maura Giles-Watson University of San Diego,
[email protected]
Introduction: Why Attend to Earlier Tudor Drama? Erin E
Direct Address in Early English Drama, 1400-1585 Michelle Markey Butler
Skenè. Journal of Theatre and Drama Studies
The Paradox of Elizabethan Revenge
Article Tony Prince TYPESET Revised
Records Ofeabjyengfis Drama
"THAT REVEREND VICE" a Study of the Comic-Demonic Figure In
Changing Attitudes to Evil in Some Sixteenth Century English Drama
The Following Standard Abbreviations Have Been Used: EETS
Iconography: a Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama
Plays and Players at Court
Top View
The Dramatic Treatment Op False Appearances in the Major Tudor
“Public, Scurrilous and Profane”
University Microfilms International, Annarbor, Michigan48ioe
HORESTES(A Newe Enterlude of Vice)
Subjects of Advice: Drama and Counsel from More to Shakespeare
Orestes and Hamlet: from Myth to Masterpiece the OXFORDIAN Volume VII 2004
Shakespeare's Greater Greek: Macbeth and Aeschylus' Oresteia
The Hybrid Nature of John Pikeryng's Horestes
Iconography: a Checklist of Some Useful Sources for Scholars and Students of Medieval Art and Drama Clifford Davidson
From State to Stage STATE FORMATION and the GENDER of REVENGE
The Social Dynamics of Late-Elizabethan Genre
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The Functions of the English Vice and Dutch Sinnekens: a Comparison
Deceptions: “The Vice” of the Interludes and Iago », « Theta VIII, Théâtre Tudor », 2009, Pp