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Henriad
Plutarch, Machiavelli and Shakespeare's Coriolanus Patrick
Henry V Plays Richard II
Political Legitimacy and the Economy of Honor in Shakespeare's Henriad Bandana Singh Scripps College
Shakespeare's Henriad As Political Philosophy by Leon Harold Craig
January 22, 2010 Dear LAPA Colleagues, My Paper Is a Draft
Shakespearean Social Network Analysis Using Topological Methods
Chivalry in Shakespeare: How the Great Playwright Reveals the Code of Conduct
Redalyc.Cymbeline: Arithmetic, Double-Entry Bookkeeping, Counts, and Accounts
“Turn His Sleep to Wake:” Sleeplessness in Macbeth
Positive Affect in Renaissance Literature SAA 2015 Abstracts Roya
The Making and Remaking of History in Shakespeare's History Plays
Western Carolina University the Spectacle of Forgiveness
Shakespeare and the Cultural Olympiad
An Analysis of Five Shakespearean Characters, Richard Ii, Henry V, Coriolanus, Mark Antony, and Lear
Girardian Thought in the Tragedy of Macbeth
Legitimacy, Illegitimacy and Sovereignty in Shakespeare's
Henry IV, Falstaff, the Lord Chief Justice, and the King of France in the Henriad
Funt Alex-My Own Private Henriad Looking Back to Now Through
Top View
Addiction and Devotion in Early Modern England / Rebecca Lemon Molly Hand
Exploring the Individuality of Shakespeare's History Plays
Kemp and Elizabethan Popular Culture
12 Re-Fashioning Richard III Intertextuality, Fandom, and the (Mobile) Body in the Hollow Crown: the Wars of the Roses
"Within the Hollow Crown": Performing Kingship in Richard II and Henry IV Part One Angeline Morris
The Anatomy of Folly in Shakespeare's ``Henriad''
Shakespeare and Modeling Political Subjectivity
English Hamlet
Stonealisonk2011ma.Pdf (1.991Mb)
Liquid Assets: the Functions of Forgetting In
Shakespearean Medievalism and the Limits of Periodization in Cymbeline Deanne Williams* York University
Social Exclusion and Stereotyping Through Food-Related Terms of Address in Shakespeare’S Henriad and Twenty-First Century Society Charlène Cruxent
Shakespeare's "Honest and Vertuous" Ensigns: Transgressing the Military/Domestic Divide in the Henriad and Othello
Is Prince Hal Henry V?: Topic Modeling Shakespeare’S Plays.” Digital Studies/ Le Champ Numérique 8(1): 1, Pp
1 Player King: Early Modern Theatricality and the Playing Of
Know Us by Our Horses’: Equine Imagery in Shakespeare’S Henriad
Intersections of the Henriad, Hustler Narratives, and Alternative Music In
The Theatrical and Dramatic Form of the Swordfight in His Later Work Within the Same Genre
Shakespeare's History Plays
Henry V First Folio
1 the Wild West Meets the Wives of Windsor Shakespeare and Music in the Mythological American West
Women, Articulation and Power in Shakespeare's Henriad
Henry IV, Part 1