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- German Expressionist Prints and the Legacy of the Early German Masters
- Exile and Modernism Theoretical and Methodological Reflections on the Exile of Artists in the 1930S and ’40S
- Documenting Dada / Disseminating Dada Da Object List Da Da Da 1
- FIT Modern Art-DADA
- Readings: War Poetry and Dada
- Subversion Through Humour in Dada
- Red Grooms's Portraits of Artists, 1957-2009
- 0,10 – the Last Futurist Exhibition of Painting”, Petrograd, Winter 1915/16
- The Athlete As Machine: a Figure of Modernity in Weimar Germany
- Art of the Weimar Republic and the Premonitions of Fascism Leshan Xiao
- Dada: Printed Matter in the Merrill C. Berman Collection
- Dada Manifesto” (1918)
- George Grosz (1893-1959) Internationally Renowned Leader of the Berlin Dada Movement
- INTO the NIGHT CABARETS and CLUBS in MODERN ART Lower Belvedere and Orangery 14 February to 1 June 2020
- The Weimar Repubic 1918-1933
- DADA EXHIBITIONS: a SURVEY and ANALYSIS Emily Rachel Grey, Master of Arts, 2006 Thesis Directed By
- The Work of Art and the Problem of Politics in Berlin Dada*
- Read a Free Sample
- Berlinische Galerie
- Hannah Hoch: a Familiar Struggle, a Unique Point of View
- Textual Ethics of Dada-Manuscript
- Stony Brook University
- George Grosz's Answer to War Graphics, 1914-16
- Barbara Mccloskey Updated August 2017 Professor and Chair Department of History of Art and Architecture Director, University Art Gallery University of Pittsburgh
- Rose-Carol Washton Long George Grosz, Otto Dix, And
- Art As Political Struggle: George Grosz and the Experience of the Great War
- George Grosz, Neue Jugend, and the Political Power of Popular Media
- First International Dada-Fair 1920
- New Objectivity: Modern German Art in the Weimar Republic, 1919–1933