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Gainsborough Pictures
Silent Films of Alfred Hitchcock
(2020). Pinewood Studios, the Independent Frame, and Innovation
Timeline London's Hollywood: the Gainsborough
Celluloid Television Culture the Specificity of Film on Television: The
Ealing Studios and the Ealing Comedies: the Tip of the Iceberg
Guide to the William K
'A British Empire of Their Own? Jewish Entrepreneurs in the British Film
Title: Get the London Look: Anna Neagle As the Emblem of British Fashion and Femininity in Maytime in Mayfair (1949). Between 19
SFSFF 2018 Program Book
Robert Hartford-Davis and British Exploitation Cinema of the 1960S
CRITERION COLLECTION PRESENTS the Forgiveness of Blood
FLM005 Introduction to British Cinema
0320.1.00.Pdf
The Hitchcock 9 Program Book
Working Title Films and Transatlantic British Cinema Nathaniel
Lar Press and Film, 1919-1939
HISTORY of the CINEMA INDUSTRY Copied from an Old Library Book by Unknown Publisher
San Jose Mercury News 10/2/08 1:01 PM
Top View
Master Class with Film Title Designer Karin Fong: Selected Filmography 1
Realism, Fantasy, and the ‘H’ Certificate: Rethinking Horror Cinema in Britain During the 1940S by Paul William Frith
Interview with Julie Harris (Costume Designer)
The Representation of Transgressive Female Desire in Daughter Of
Hitchcock: Past and Future Presents a Selection of the Academic Papers Presented at the Conference
4AAQH126: Film History 1895-1930 | King's College London
Lindsay Anderson: Sequence and the Rise of Auteurism in 1950S Britain
Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
Ealing's Colour Aesthetic: Saraband for Dead Lovers
British National Cinema
Sir Michael Elias Balcon - Film Producer
British Films 1927 - 1939 Was Originally Produced in 1986 by BFI Library Services
The Silent Films of Adrian Brunel
Hitchcock's Story of the London Fog: a Very English Expressionism
ADULT FICTIONAL FILMS on DVD | UPDATED APRIL 2015 TITLE YEAR (500) Days of Summer (Motion Picture)
Select Filmography∗
Collaboration and Integration
The Film Gone Male’: Women and the Transition to Sound in The
Can This Hell Perhaps Be Jules Dassin's London, Which Is
Ealing Studios - Wikipedia Coordinates: 51°30′32″N 0°18′26″W
The Ciné “Never Sets…”: British Cinema As a Transatlantic