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Gabriel Astruc
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Fonds Gabriel Astruc (1902-1927)
Classic Chic
Critical Silence: the Unseemly Games of Love in Jeux (1913) Hanna Järvinen Unlike His Début, L'après-Midi D'un Faune (191
A Ballets Russes Collection, Gathered in London by Boris Yeltsin's Right Arm, Boris Berezovskiy
Nelsondusek Udel 006
''Paris for Love''?
Diaghilev and the Ballets Russes, 1909-1929: When Art Danced with Music May 12, 2013 - October 6, 2013
Pantomime-Ballet on the Music-Hall Stage: the Popularisation of Classical Ballet in Fin-De-Siècle Paris
Pénélope in the Press, 1913: the Early Critical Reception of Gabriel Fauré’S Only Opera
The Performative Memory of Vaslav Nijinsky, I Had Viewed the Nureyev Performance Again.9 I Subsequently Purchased the VHS Tape of the Joffrey/Nureyev Performance
Music and Urban Change in Paris, 1830-1870 by NICOLE VILKNER a Dissertation Submitted to the Graduate School-N
The Birth of Tragedy out of the Spirit of Dance: Nietzschean Transitions in Nijinsky's Ballets
Female Patronage and the Ballets Russes
Diaghilev and the Ballets Russes, 1909-1929: When Art Danced with Music May 12, 2013 - September 2, 2013
A New Vision of Parisian Musical Culture from the Perspective of Gabriel Astruc (1854-1938)
The Rite of Spring Reconsidered
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