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Fritz Saxl
Newsletter of the Societas Magica/ No. 4
Between the Academy and the Avant-Garde: Carl Einstein and Fritz
Julius Von Schlosser: Aesthetics, Art History and the Book
E. H. Gombrich, the Warburg Institute: a Personal Memoire, the Art Newspaper, 2 November, 1990, Pp.9 [Trapp No.1990P.1]
Journal of Art Historiography, No. 1 (December 2009)
Glasgow Colloquium
'Cannon Fodder for Respectable Question Marks': Fritz Saxl and the History of the Warburg Library
Germany/ England: Inside/Outside
Bober, Phyllis Pray; Rubinstein, Ruth Olitsky: Renaissance Artists & Antique Sculpture
Aby Warburg, Homo Victor*
Julius Schlosser, the Vienna School of the History Of
C:/Warburg/Glasgow 2009
Aby Warburg and Weimar Jewish Culture: Navigating Normative Narratives, Counternarratives, and Historical Context
The Warburg Institute Annual Report 2005–2006
Studies on the Pictorial History of Astronomy and Astrology for a Major
Berliner Beiträge Zum Nachleben Der Antike Heftl
'Die Neue Sachlichkeit Rembrandts'
Exhibition's Legacy: Fritz Saxl, Kenneth Clark and John Berger
Top View
Tra Il 1983 E Il 1991 Ho Avuto Occasione Di Collaborare a Una
Prelims May 2007.Qxd
Edward Chaney, R.B
SOF News Peeling Paint, Drank up the Chianti the Cusp of Completion with Most of the Gardens Restored to New Beauty
A Moment in Time: from the Digital Record of a Migrating Library
A Life of Learning by Phyllis Pray Bober
Ben Thomas Edgar Wind.Pdf
The Warburg Institute
Disintegration and Hope for Salvation Erwin Panofsky's Concept of Artistic
Berliner Beiträge Zum Nachleben Der Antike Heft4-2003
The Daily Telegraph, Tuesday, November 6, 2001 Sir Ernst