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Fourth wall
Theatre I Moderator: Jaclynn Jutting, M.F.A
'House of Cards' Arrives As a Netflix Series
EYES and NARRATIVE PERSPECTIVES on STORY a Practice Led Exploration of the Use of Eyes and Eye Lines in Fiction Film
Fleabag and Self-Reflexivity: Breaking-The-Fourth-Wall of a Woman’S Inner World
Justifying “Improbable Fictions”: Metatheatricality in Shakespeare
A Gaming Experience That Breaks the Fourth Wall Inversely Sub Title
Ludic Dysnarrativa: How Can Fictional Inconsistency in Games Be Reduced? by Rory Keir Summerley
Arkham Asylum: a Serious House on Serious Earth
The Fourth Wall and the Third Space
Stafford Township School District
Narrating Netflix
Exploring Audience Reactions to Self-Reflexivity in Television Narratives
Alireza Farahbakhsh (Corresponding Author)
The Nature of Audience Response in Medieval and Early Modern Drama Seeks to Interrogate and Explore
3311350.3347192
Breaking Down the Fourth Wall with Artaud, Punchdrunk, and the Wooster Group
Origins and Influence of Fourth Wall Breaking Games
Preston Sturges & the Marx Bros
Top View
Glossary of Dramatic Terms
The Violence of Home Invasion in Michael Haneke's Funny Games I
Reformulating the Fourth Wall for Videogames
School of Drama Courses 1
Breaking the Fourth Wall and Humor in Malcolm in the Middle
The Disappearing Fourth Wall: Law, Ethics, and Experiential Theatre
Understanding Metatheatre
1 Breaking the Fourth Wall
Fourth Wall Manipulation in Digital Games and Its Impact on the Gameplay Experience
BREAKING FICTION How Fiction Breaks Can Be Used to Enhance a Player’S Immersion in Video Games
TV Shows to Binge When You Have to #Staythef***Home by Steve Sternberg
More Man Than a Horse? Bojack Horseman and Its Subversion of Sitcom Conventions in Search of Realism
Remediating-The-Fourth-Wall.Pdf
Reading for the Soul in Stanislavski's the Work of the Actor on Him/Herself
Download File
Bart Simpsons Treehouse of Horror PDF Book
Breaking the Fourth Wall: the Effects of Metareference and Direct Address in Fictional Narrative
Realistic Acting Methods in Non-Realistic Theatre: Konstantin Stanislavsky's Theories Applied to Bertolt Brecht's Epic Theatre
B E H I N D T H E F O U R T H W a L
Meta-Enunciative Properties of Dramatic Dialogue: a New View of Metatheatre and the Work of Sławomir Świontek
(Fourth) Wall Came Tumbling Down: the Mpi Act of Renegotiating Fan-Creator Relationships on Supernatural Alena Karkanias
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Breaking the Rules Leading Lady Good for Woody