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Eye of the Devil

  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S

    The Green Sheet and Opposition to American Motion Picture Classification in the 1960S

  • Music & Film Memorabilia

    Music & Film Memorabilia

  • Shail, Robert, British Film Directors

    Shail, Robert, British Film Directors

  • Download This PDF File

    Download This PDF File

  • The Guy Mckone Collection at the TIFF Film Reference Library

    The Guy Mckone Collection at the TIFF Film Reference Library

  • Movies, Only Orkers Crack Their Union Local’S Safe and Oct

    Movies, Only Orkers Crack Their Union Local’S Safe and Oct

  • Four Star Films, Box Office Hits, Indies and Imports, Movies A

    Four Star Films, Box Office Hits, Indies and Imports, Movies A

  • The Bearing in Tbe Above-Entitled Matter Was Reconvened Pursuant

    The Bearing in Tbe Above-Entitled Matter Was Reconvened Pursuant

  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: Jdream@Email.Dp.Ua Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web

    166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web

  • Robert Rodriguez and the Transformation of a Microbudget

    Robert Rodriguez and the Transformation of a Microbudget

  • Your God Had His Chance and He Blew It

    Your God Had His Chance and He Blew It

  • Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020

    Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020

  • La India En Llamas

    La India En Llamas

  • Diablotexto Digital 5 (2019), 96-110 96 Doi: 10.7203/Diablotexto.5.13824

    Diablotexto Digital 5 (2019), 96-110 96 Doi: 10.7203/Diablotexto.5.13824

  • Convert Finding Aid To

    Convert Finding Aid To

  • Cinematic Childhood(S) and Imag(In)Ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film

    Cinematic Childhood(S) and Imag(In)Ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film

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