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- On Hanslick and the Musically Beautiful’
- Aesthetics of Objectivism in Igor Stravinsky's
- Authenticity and Failure in Adorno's Aesthetics of Music.', in the Cambridge Companion to Adorno
- The Origins of Schenker's Thought: How Man Is Musical Author(S): Allan Keiler and Schenker Source: Journal of Music Theory, Vol
- New Music and the Press: Vienna 1896-7, Bruckner, Dvoibk, the Laodiceans and Also Sprach Zarathustra
- Henryk Elzenberg As a Forerunner of Anglo-American Concepts of Expression
- COPYRIGHTED MATERIAL 6 Poetics 57 Aristotle 7 Ennead I, Vi 73 Plotinus 8 De Musica 81 St
- Henryk Elzenberg As a Forerunner of Anglo-American Concepts of Expression
- Whiteheadian Aesthetic Digitized by the Internet Archive
- Tonally Moving Forms – Peter Kivy and Eduard Hanslick's 'Enhanced
- Chapter 20: Musical Politics in the Mid-Nineteenth Century I. Introduction
- Modernism with Spirit: Wittgenstein and the Sense of the Whole Antonia Soulez
- Béla Bartók's Concerto for Orchestra
- Cavalleria Rusticana' Author(S): Matteo Sansone Source: Music & Letters, Vol
- Mahler the Enigma: Progressive Composer, Traditional Conductor Anna Gatdula Depauw University
- Rethinking Hanslick: Music, Formalism, and Expression
- The Magic Wand of the Wagnerians: Musik Als Ausdruck Stephen Mcclatchie
- Analysing Musical Multimedia.10 I Have Also Excluded Texts That Do Not Develop Temporally As Music Does Such As Abstract Painting and Architecture
- Johann Heinrich Dambeck's Prague University Lectures
- Aesthetic Imagination in the Literacy-Based Music Classroom: Implications for School Policy and Practice Carol E
- BEYOND BEAUTIFUL and UGLY: Non-Dual Thinking and Aesthetic Theory
- Memory and Hypnotism in Wagner's Musical Discourse
- 1 Beauty and the Beast
- Benjamin Baker, Violinist
- Understated Significance of Form in Gracyk's Aesthetics of Popular Music
- The Nineteenth Century, Part 3: Toward Modernism
- Eduard Hanslick's Formalism and His Most Influential Contemporary Critics
- Eduard Hanslick
- Toward a Post-Humanist Organicism