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Dziga Vertov
Dziga Vertov — Boris Kaufman — Jean Vigo E
Soviet Cinema
Dziga Vertov, the First Shoemaker of Russian Cinema1
Experiments in Sound and Electronic Music in Koenig Books Isbn 978-3-86560-706-5 Early 20Th Century Russia · Andrey Smirnov
Soviet Diy: Samizdat & Hand-Made Books
Dziga Vertov, Travel Cinema, and Soviet Patriotism*
Film and Literary Modernism
Konstantin Vialov and the Search for a Modern Realism” by Alla Rosenfeld, Ph
Dziga Vertov's the Man with the Movie Camera
Soviet Documentary & Propaganda
Adelheid Heftberger Propaganda in Motion Dziga Vertov’S and Aleksandr Medvedkin’S Film Trains and Agit Steamers of the 1920S and 1930S
Film Energy: Process and Metanarrative in Dziga Vertov's The
Kupensky on Shkandrij, 'Avant-Garde Art in Ukraine, 1910-1930: Contested Memory'
Soviet Montage Cinema As Propaganda and Political Rhetoric
Dziga Vertov As Theorist Vlada Petric
Documentary Film and the Modernist Avant-Garde Author(S): Bill Nichols Source: Critical Inquiry, Vol
Russian Art of the Avant-Garde
By Vokrug Da Okolo
Top View
Dziga Vertov an Introduction by David Bordwell
Dziga Vertov and Early Soviet Film
University of Cambridge Departmentof Slavonic
Revolution Russian Art 1917 – 1932 1
The Modernist Mandate of Montage: John Dos Passos' U.S.A., Soviet
The Eye in Matter Dziga Vertov and Early Soviet Cinema
DZIGA VERTOV (Denis Arkadievich Kaufman. 2 January 1896, Bialystok, Poland—12 February 1954, Moscow, Cancer.)
Russian and Soviet Cinema in the Age of Revolution, 1917 – 1932
The Russian Avant-Garde Andthe Emigration by John E
Dziga Vertov Denis Arkadievitch Kaufman B. January 2, 1896
Dziga Vertov's the Eleventh Year
Dziga Vertov. the Man with a Movie Camera. 1929
Dziga Vertov Published and Forthcoming in KINO: the Russian Cinema Series