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Dombra
About Two Types of Universalism in the Musical Instruments of the Kazakhs
Musicians from Surkhandarya and Their Great Contribution to the Development of Musical Performance
FEATURES of DUTAR PERFORMANCE Khodjaeva R.М
Cataloging Service Bulletin 079, Winter 1998
Psychotherapeutic Function of the Kazakh Traditional Music Zere S
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Mountain Music Fromkyrgyzstan
~········R.~·~~~ Fiber-Head Connector ______Grating Region
Music and Musicians Along the Silk Road by Theodore Levin
PERFORMER ROLE CODES Role Code
Instrument Glossary
(EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
Kazakh Symphonic Kuy - the Counterintuitive Convergence of Traditions
Liste Der Besetzungsangaben Gemäß CISAC-Standard
The Influence of Kazakh Folklore on The
Musical Traditions of Tengrianism
Strings / Chamber Repertoire by BIPOC Composers
Devotional Music and Healing in Badakhshan, Tajikistan: Preventive and Curative Practices
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March/April 2020
Kazakh Music Unit Plans: “Kozimnin Karasi”
Here You Can Download the English Booklet of Magic
The Characteristic Features of the Oral Tradition and Dastan As Elements of the Intangible Cultural Heritage of Central Asia
Revisiting Some Thoughts on the Kalmyk Dombra:Two
Kazakh Musical Instruments in Traditional Kazakh Musical and Material Culture a Significant Place Are Taken by Musical Instrume
MIMO Digitisation Standard
Mythology, Morphology, Iconography of the Tanbūr Lute Family From
(10) Patent No.: US 8759658 B2
Music Initiative
The Art of Kui Performance of Kazakh Ethnic Group in China Ardabi Mauleta, Zaure N
Ethnomusical Traditions of the Kazakh People: Past and Present
Polyphonic Examples from the Music of Some Turkic Peoples
From the History of Formation Uzbek Oral-Professional Music
Analysis of the Dutar Playing Technique of Abdurehim Heyt
Awakening of a Tanbur
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Performer Roles
Asian and Asian-American Music
MHL 494 Music of the Silk Road Global Awareness (G)
Medieval Instruments