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Conductus and Modal Rhythm
Narrow Range -More Virtuosic
PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble
Chapter 2: Secular and Cathedral Music in the High Middle Ages I
Contents and Sample Pages (PDF)
The Selection of Clausula Sources for Thirteenth- Century Motets
The Middle Ages, Part 2
Medieval Period Week 1
Theory. the Abstract Principles Embodied in Music and the Sounds of Which It Consists
Medieval Terms
Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique (For Ernest Sanders)
Ars Antiqua Iii
Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
Polyphony at Notre Dame and in the 13Th Century
Medieval Music and the Art of Memory
Computer-Aided Analysis of Sonority in the French Motet Repertory, Ca. 1300–1350 *
SCHOOL of NÔTRE-DAME Late 1100-1200S (Twelfth-Thirteenth Centuries)
(1) Western Culture Has Roots in Ancient and ___
Top View
Consonance and Rhythm in the Organum of the 12Th and 13Th Centuries
Polyphony at Notre Dame and in the 13Th Century 21M.220
Motets Originally Consisted of Newly Written Latin Words Added to The
Escholarship@Mcgill
History Study Guide
From Neumes to Notes: the Evolution of Music Notation
Medieval Music]
Song and Dance in the Early Middle Ages