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Disaster film
A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
The Undead Subject of Lost Decade Japanese Horror Cinema a Thesis
Apocalypse and Australian Speculative Fiction Roslyn Weaver University of Wollongong
Hauntology Beyond the Cinema: the Technological Uncanny 66 Closings 78 5
Godzilla After the Meltdown-The Evolution and Title Mutation of Japan’S Greatest Monster
Waterways Film List
Cinemas of Disaster Syllabus
Traymany 1 Anney Traymany LIT 133G Professor Christine Hong Monster and Memory: Godzilla and the Unearthing of Grief in The
Sion Sono's Science Fiction Films
Introduction: Screening Utopia in Dystopian Times
Cultural Borrowings: Appropriation, Reworking, Transformation
Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema
Main Film Genres
Natural Disaster Films: a Social Learning and Perceived Realism Perspective Melissa Seipel Brigham Young University
Natural Disaster Film Festival by Jannaya Jensen
LANDA-DISSERTATION-2017.Pdf (4.978Mb)
Reframing the Disaster Genre in a Post-9/11 World
An Analysis of Emergency Management Practices Portrayed in Disaster Movies
Top View
No. 287 Spring 2018 £4.00 Contents 1
The Scientist and American Cinema: Trends and Case Studies
A History and Theory of the Post-Apocalyptic Genre In
By Marc Dipaolo
Reading 9/11 in 21St Century Apocalyptic Horror Films
Catastrophe, Collapse, and Decline in American Science Fiction
Film and Everyday Eco-Disasters Robin L
Cinemas of Disaster Syllabus
Skenè. Journal of Theatre and Drama Studies Fernando Cioni – Italian Alternative Shakespeare
Representing Politics in Disaster Films
FICTION RESEARCH ASSOCIATION COLLECTIVE Review ISSN 2641-2837
Spatial and Sexual Disorientation in the Films of Tsai Ming-Liang
Audiovisual Representations of Artificial Intelligence in Dystopian Tech Societies: Scaremongering Or Reality? the Cases of Black Mirror (Charlie
2012 Movie Hindi Dubbed Download Fil
ACRONYMX-Round11 HSNCT.Pdf
Disaster Cinema in Historical Perspective D21 Disaster Cinema in Historical Perspective
Using Film–Trope Connections for Clustering Similar Movies
ANTHROPOCENE GOTHIC: the MONSTROUS ANTHROPOCENE of GUILLERMO DEL TORO's CRIMSON PEAK, the SHAPE of WATER, and PACIFIC RIM By
The Main Genres of Films Genre Categories: They Are Broad Enough to Accommodate Practically Any Film Ever Made, Although Film Categories Can Never Be Precise
Rajinikanth and the “Regional Blockbuster”
2011 National Conference Program
Disaster Narratives in the South Korean Cultural Imaginary*
Social Apocalypse in Contemporary Hollywood Film O Apocalipse Social No Cinema Contemporâneo De Hollywood
Terrorist Attack!: the Spectacle of Evil in the Blended Horror of Cloverfield James Aston, Liverpool Hope University, UK
The Essential Science Fiction Television Reader
Djibril Diop Mambéty's Cinema of Possibility
The Disaster Movie and Its Implications for Genre Theory
The Global Dystopian: Twenty-First Century Globalization, Terrorism, and Urban Destruction
Japanese Conceptualizations of the South Seas (Nan’Yō) As A