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Direct cinema
Maurice Proulx
Truth in Cinema
Cinema Verite : Definitions and Background
“Direct Cinema Is Anything but a Fly on the Wall”: a Conversation with Albert
The Emergence of Digital Documentary Filmmaking in the United States
Cinema Vérité & Direct Cinema 1960-1970
CIVIL RIGHTS on FILM Rare Films on African‐American Life, 1941‐1967 Curated by Andy Ditzler
Journal De La Société Des Océanistes, 148 | 2019 the Rise of Film Authorship in Papua New Guinea
Complete Documentaries Activities Guide
Folklore/Cinema: Popular Film As Vernacular Culture
A Thesis Entitled D.W. Griffith's Biograph Shorts: Teaching History with Early Silent Films, 1908-1922 by Jaclyn A. Smith Subm
The Cinema of the Quiet Revolution: Quebec‟S Second Wave of Fiction Films and the National Film Board of Canada, 1963-1967
Cine-Tracts 16, Vol. 4, No. 4, Winter, 1982
Documentary Film As Evidence in the Digital Era
Sadegh-Vaziri Dissertation
Can We Tell the Truth About the Future? a Critical Analysis of an Experience in the Docufictional Construction of Truth
New Journalism and Direct Cinema
"Visual Anthropology" In
Top View
Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946
Digital Docu-Fiction: a Way to Produce Kurdish Cinema
Cinema of the Civil Rights Movement, Aug 13—28
Documenting the Expert: the Films of Errol Morris
Post-Production
DIRECT CINEMA: OBSERVING AMERICA in the 1960S Frederick Wiseman’S Law and Order (1969)
(H)Journalism by Shamita Harsh 28.04.2020
COM 321, Documentary Form in Film & Television
Toronto's Postproduction Sound Industry, 1968 to 2005
Martin Docu Sound 5-10
From Cinéma Vérité to Ciné, Ma Vérité(S)
A Tribute to Jean Rouch (1917–2004)
Documentary Storytelling Enabled by Digital Technologies
Ethnofiction and Its Impact on Postwar Japanese Cinema
Improvising Cinema (Film Culture in Transition)
Cross-Cultural Filmmaking "0"
The Rules of Engagement: Documentary Filmmaking in Canada Selected Bibliography
History of the Mockumentary Film
Study Guide Moose Jaw (There’S a Future in Our Past)
Rockumentary: Style, Performance & Sound in a Documentary Genre
Reenactment As Event in Contemporary Cinema by Sylvie
Camera Stylo Proof 2 Tasha Dibiagio March 27
Nomination Form International Memory of the World Register
The Principles of Observational Cinema
John Dewey and Documentary Narrative
Collaborative Ethnographic Film: a Workshop Case Study
Class Schedule Listing