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Diesis
The 17-Tone Puzzle — and the Neo-Medieval Key That Unlocks It
MTO 20.2: Wild, Vicentino's 31-Tone Compositional Theory
Pietro Aaron on Musica Plana: a Translation and Commentary on Book I of the Libri Tres De Institutione Harmonica (1516)
Notation Through History
Musical Techniques
Plainsound Etudes
MTO 12.3: Duffin, Just Intonation in Renaissance Theory and Practice
Temperament in Bach's Well-Tempered Clavier
JI Primer Ed.3
Tuning the Notes of the Piece Dsilton by Ear
Just Tuning and the Unavoidable Discrepancies Paul F. Zweifel
Why the Kirnberger Kernel Is So Small
Rahn, Marchetto's Tuning
Analysis of Musical Systems
Beccatelli, Giovanfrancesco
The Chromatic Semitone in the Later Middle Ages
University Microfilms, Inc., Ann Arbor, Michigan (C) Copyright By
Some Pompeiian Musical Instruments and the Modes of Aristides Quintilianus
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Plainsound Etudes
View / Open Laduke Leone Bernice Ba1943.Pdf
The Structure of Recognizable Diatonic Tunings
A Catalog of Scales Used in the Animation of Lists and the Archytan Transpositions – Warren Burt 2004
Pythagoras and Greek Tuning
Extended Helmholtz-Ellis JI Pitch Notation Microtonal Accidentals Designed by Marc Sabat and Wolfgang Von Schweinitz, 2004
What Is Musical Harmony*?
Nicola Vicentino and the Enharmonic Diesis: an Analytical and Empirical Study
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