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Derek B
German Operetta on Broadway and in the West End, 1900–1940
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
Conclusion: Popular Music, Aesthetic Value, and Materiality
I the ROLE of LEARNING in OVERCOMING WORK
Invention and Interpretation in Popular Music Historiography
Music Theory on the Radio:Theme and Temporality in Hans Keller’S First Functional Analysis
Azealia Banks: ‘Chasing Time’, Erotics, and Body Politics
What's in a Song? Copyright's Unfair Treatment of Record Producers and Side Musicians Gabriel J
Song-Means-Analysing-And-Interpreting-Recorded.Pdf
HERE`S a LITTLE STORY THAT MUST BE TOLD Microphone Grandmistresses, Lady Def Jams, Battle Queens, Mixmistresses, Fly Emcees, Spinderellas from the Late 70S to 1990
The Institutionalization of Hip-Hop Djing Education
British Hip Hop, Garage and Grime As Ethnography
Dancecult 5(2) Reviews
Irish Nationalism, British Imperialism, and Popular Song
Cameron Carpenter's Queer Art of The
Subject Guide
A Critical Analysis of the Dixie Chicks and the Country Music Industry
British Hip Hop, Garage and Grime As Ethnography
Top View
American Songs by Augusta Browne
Popularmusikforschung40 04: Invention and Interpretation In