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Demofoonte (Gluck)
Le Cinesi. Revised Libretto by PIETRO METASTASIO, First Set by Nicola Conforto (1751 Aranjuez)
Iphigénie En Tauride
METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In
Operatic Reform in Turin
Don Giovanni Opera Box Lesson Plan Title Page with Related Academic Standards
Gluck's London Operas
The Roles of “Mothers” N Opera As Exemplified by Fides (Meyerbeer’S, Le Prophete); Kostelnika (Janaek’S, Jenufa); Mrs
Costumes Within Opera Seria Hierarchies: a Case Study from Dresden
Italian Opera Performances in Bach's Leipzig
Mitteilungen Der Internationalen Gluck-Gesellschaft Nr. 10 Juli 2014
The Evolution of Jommelli's Operatic Style
Texto Completo
SWR2 Musikstunde
Transcripts of Dramatic Musical Works in Full Score at the Library of Congress
Communication Through the Language of Voice “Aria Da Capo” Characteristics and Vocal Interpretative Potential in the Eighteenth - Century
Pdf, 119.59 KB
Don Mozart in London
Italian Music Manuscripts in the British Library: Section C: Part 2: Add
Top View
AYRES, MICHELLE ELIZABETH, D.M.A. Crossover Genres, Syncretic Form: Understanding Mozart's Concert Aria “Ch'io Mi Scordi D
A Performer's Guide to the Role of Aspasia
Opera Arias by Gluck
Luigi Marchesi: Life and Voice
3. Opera Demofoonte
Ballet D'action to Ballet-Pantomime
Mozart in the Theater
Umbra Music in the Eighteenth Century: Context, Style and Signification
Casanova's Homecoming
Gluck Y La Reforma
Pdf Metastasio En España, Entre Traducciones Y Adaptaciones